Richard III

Shakespeare Unlimited: Episode 166  |  Frannie Shepherd-Bates founded Shakespeare in Prison in 2012. Nine years later, SIP is the signature community program of the Detroit Public Theatre. Looking for a way to share their work to make it easier for others to approach inspired a planned critical edition of Richard III that pairs Shakespeare’s text with the ideas and perspectives of incarcerated women who worked with the play over the course of 2016 and 2017.

Shakespeare Unlimited: Episode 159 Based on his knowledge of Shakespeare’s Henry VI plays, Harvard’s Dr. Jeffrey R. Wilson knew just how HBO’s Game of Thrones would play out. Jon Snow, the illegitimate son, was a Richard III type, who would win…

  Richard III, act 5 scene 3, in the tent, Richard asleep, ghosts of persons he had murdered. Painted by J. Opie, R.A. ; engraved by W. Sharp. Published 1794. Folger Shakespeare Library. Nightmares and ominous dreams are used to…

Edward Topsell. The historie of foure-footed beastes. 1607. FOLGER STC 24123 copy 1 While the global population of European hedgehogs (Erinaceus europaeus) is stable, their numbers have been rapidly declining in the UK for decades, especially in rural areas. This…

Kimberly Gilbert as Richard III. Photo by Brittany Diliberto. Bootleg Shakespeare is not your typical night at the theater: The actors show up on the day of the performance with only their lines memorized; after a few hours of rehearsals,…

Artist Paul Glenshaw writes about drawing the bas-relief of Richard III by sculptor John Gregory on the front of the Folger Shakespeare Library building.

With a US audience of tens of millions in its TV release at the same time it was released in American theaters, Laurence Olivier’s film “Richard III” (1955) has left a lasting, sometimes hilarious, legacy in pop culture, from Peter…

Stephen Greenblatt’s new book Tyrant explores tyranny in Shakespeare’s plays. On this podcast episode, he discusses characters like Richard III and Macbeth; how societies allow tyranny to pop up; and how and why Shakespeare used its depiction in his work to stir the audiences of his time.

Black actor J.A. Arneaux starred as the title character in the Astor Place Company’s production of Richard III and published his own 19th-century edition.

Richard (Drew Cortese) and the Duke of York (Remy Brettell) in Richard III, directed by Robert Richmond, Folger Theatre, 2014. Photo by Teresa Wood. This is an excerpt from Yale professor Joseph Roach’s talk for the Shakespeare Anniversary Lecture Series…

As curators of Will & Jane: Shakespeare, Austen, and the Cult of Celebrity we both began our work in the archives with established interests in the connections between literary greatness and consumer culture. Janine has written about the marketing tactics…

As you’ve seen on this blog already, the next Folger exhibition, Will & Jane: Shakespeare, Austen, and the Cult of Celebrity (August 6 to November 6), will be a fascinating look at the posthumous celebrities of William Shakespeare and Jane…