Richard III

Austin Tichenor explores how the shift of a narrative’s perspective can offer answers to questions about which characters deserve redemption and our forgiveness, from Lear to Iago to Richard III.

Austin Tichenor argues for the importance of casting disabled actors as Richard III, spotlighting Chicago Shakespeare Theater’s production with Katy Sullivan in the title role.

Philippa Langley’s new book explores evidence that Richard III was framed for the murder of his nephews.

Folger resources related to Richard III in preparation for our June Book Club discussion of The Daughter of Time by Josephine Tey.

The disabled body of Richard III, a historical English king and one of Shakespeare’s most iconic villains, is the focus of a recent book by Jeffrey R. Wilson.

The award-winning director tells us what it’s like to direct Shakespeare in the Park. Spoiler: It’s a whirlwind.

Shakespeare’s play Richard III turns real people into fictional villains, as does a new movie about the search for Richard III’s remains, writes Austin Tichenor.

Sir Ian McKellen tells us about some of his most famous roles: playing Macbeth opposite Dame Judi Dench, King Richard III with a screenplay he co-wrote, and Gandalf the Grey in The Lord of the Rings films.

Marking the anniversary of actor Edwin Booth’s birth on November 13, 1833, we explore a stunning historical costume from the Folger collection: an embroidered-velvet tunic that Booth wore onstage as King Richard III.

Shakespeare Unlimited: Episode 174 In Mike Lew’s play Teenage Dick, Richard, a high-school senior with cerebral palsy, is determined to become class president by any means necessary. Commissioned by theater artist Gregg Mozgala and Apothetae, the company Mozgala started to talk about…

“My kingdom for a horse!” A titanic villain in Shakespeare’s history plays, Richard III departs the stage and this life at the Battle of Bosworth Field. Mark the battle’s anniversary with these posts and podcast episodes.

What did Richard III and his disability represent to Shakespeare’s original audiences? And how has this Shakespeare villain shaped the field of early modern disability studies today? Katherine Schaap Williams takes a closer look at these questions in the below…