King Lear
"I see it feelingly": a raised-type King Lear
For many of the books in our collection, an unassuming cover can turn out to protect a fascinating text block. What makes this one unusual is the discovery, upon opening the cover, that this book is meant to be read not with the…
Louis Butelli: "Come, Cassius' Sword"
By your leave, gods:—this is a Roman’s part Come, Cassius’ sword -Julius Caesar, V.ii.100 One of the great challenges of playing Cassius in Folger Theatre’s production of Julius Caesar is (spoiler alert!) committing suicide on-stage eight times a week. Louis…
Ira Glass: "Shakespeare S*cks???"
Your friendly neighborhood blogger, Louis Butelli. Hello once again from your friend Louis Butelli. The folks here at the Folger Production Diary have asked me to contribute some late summer entries before rehearsals begin for the Folger’s upcoming production of…
Ah, Relationships
One of the fundamental building blocks with which an actor works is an awareness of the relationships into which his character enters. For the actor playing Roderigo in any production of Othello, at a certain moment he must confront the…