Shakespeare as a Starting Point
2024 Reading Room Keynote
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Booking and details
Dates Thu, Jan 25, 2024, 6pm
Tickets $20; $15 for Members and Subscribers ($35 - Festival Pass)
Folger Director Michael Witmore and Folger Director of Programming Karen Ann Daniels kick off this year’s festival by discussing what Shakespeare means to scholars and artists, thinking about how both can use his works as points of departure to explore new meanings.
Festival Pass – $35
Access to all Festival open rehearsals, readings, screenings, and conversations.
All-Access Pass – $75
Everything in the Festival Pass, plus invitations to the opening and closing parties.
Students – Free admission to readings and conversations
Admitted free one-half hour before event start time, with a valid ID
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Michael Witmore
Michael Witmore served as the seventh director of the Folger Shakespeare Library from July 2011 through June 2024. His books include Landscapes of the Passing Strange: Reflections from Shakespeare, with Rosamond Purcell (W.W. Norton, 2010), Shakespearean Metaphysics (Continuum, 2009), Pretty Creatures: Children and Fiction in the English Renaissance (Cornell University Press, 2007), Childhood and Children’s Books in Early Modern Europe, 1550-1800 (Routledge, 2006), and Culture of Accidents: Unexpected Knowledge in Early Modern England (Stanford University Press, 2001).
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Karen Ann Daniels
Karen Ann Daniels is the Director of Programming and Performance at the Folger Shakespeare Library and Artistic Director of Folger Theatre. A native San Diegan, she is an accomplished actor, director, playwright, vocalist, musician, and community organizer. Prior to joining the Folger, she was director of the Mobile Unit at The Public Theater in NYC, producing tours around all five boroughs of NYC bringing the tools of theater to incarcerated community through Mobile Unit in Corrections (MUiC).
In her prior role as the associate director of The Old Globe’s Arts Engagement department, she managed community partnerships, and created, piloted, and implemented cornerstone programs such as Globe for All, Behind the Curtain, coLAB, Community Voices, and Reflecting Shakespeare. She is a thought-leader, facilitator, and contributing architect for creating tools to help cultural institutions integrate anti-racism, equity, accessibility, community and audience engagement, and shared leadership as a long-term mission-oriented strategy for organizational growth. She is a 2021 Fellow at the Atlantic Fellows on Racial Equity, a network of leaders from the US and South Africa working to build expansive new futures in which Black people, and all people of color, are seen, valued, and respected. She served as chair of the City of Chula Vista’s Cultural Arts Commission, as well as the New California Arts Fund Leadership and Learning Committees, and is a co-producer and facilitator for the biannual Shakespeare in Prisons Conference and Network. In recent years, her creative work focused on co-creation as a composer/lyricist/playwright for musicals like gather ‘round and The Ruby in Us, centering the lives and stories of community.