Folger Book Club: The Tower by Flora Carr
In March we celebrate Women’s History Month with a bold, feminist reimagining of Mary, Queen of Scots’s darkest hour.
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Booking and details
RegisterDates Thu, Mar 6, 2025, 6:30pm
Venue Folger Virtual
Tickets Free, Registration required
Duration 6:30pm - 8:00pm (ET)
Our March 2025 Pick
The Tower
by Flora Carr
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Why did we choose this?
The Folger Shakespeare Library’s collection explores not only Shakespeare’s life and works, but also the plays’ historical context, source material, critical and performance histories, and the ways in which they inspire and are adapted by contemporary novelists.
A “devastating portrait of what it was like to be a woman in the 16th century” (Washington Post), The Tower kicks off Women’s History Month by offering a new perspective on Mary, Queen of Scots. Focusing on her time imprisoned in Lochleven Castle with three other women, it further compliments Folger Theatre’s production of Lauren Gunderson’s A Room in the Castle, co-produced by Cincinnati Shakespeare Company and on the Folger stage March 4-April 6, 2025.
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A Room in the Castle
About the Book Club
Our informal Book Club is free and open to all. Our picks range from historical fiction to adaptations of Shakespeare’s plays, encompassing a wide variety of genres.
Each session begins with a guest speaker exploring that month’s pick and highlighting items from the Folger collection related to the plot and themes of the novel. After the presentation, participants will be broken into smaller groups for breakout discussions, moderated by a team of staff and volunteers.
Content transparency
The Tower includes potentially sensitive subjects. Expand below for a full list of content (includes spoilers).
- Miscarriage
- Confinement
- Rape/Sexual assault
- Animal death
- Blood/injury
Guest Speaker
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Elizabeth Kolkovich
Elizabeth Zeman Kolkovich is an Associate Professor of English at Ohio State University. She is the author of The Elizabethan Country House Entertainment: Print, Performance, and Gender (2016) and has published widely on women’s writing and early modern drama. She is currently writing about court masques and the history of Shakespeare’s all-male stage.
We would like to thank the following organization for its generous support of this program
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