A Room in the Castle
by Lauren M. Gunderson
Directed by Kaja Dunn
Co-produced with Cincinnati Shakespeare Company
Booking and details
Dates & TicketsDates Tue, Mar 4 – Sun, Apr 6, 2025
Venue Folger Theatre
Tickets $20 – $84
Please note: Children under the age of 4 are not permitted.
How does a woman survive the court of Denmark? A Room in the Castle finds Ophelia, her handmaid, and her Queen Gertrude on the other end of a wild prince’s antics and realizing just how dangerous life in this castle has become. As Ophelia withstands Hamlet’s assaults and insults, Gertrude comes to see how far gone her son truly is. What is she willing to risk to save Ophelia and herself if it means turning against her problematic child?
A meditation on women helping women, what mothering a potential madman means, and what responsibility generations of feminists have to one another, A Room in the Castle rebrands the stories of the women of Shakespeare’s Hamlet into a drama with music and defiant hope for the future.
Creative team
Playwright
Lauren M. Gunderson
Lauren M. Gunderson
Lauren M. Gunderson has been one of the most produced playwrights in America since 2015, topping the list thrice including 2022/23. She is a two-time winner of the Steinberg/ATCA New Play Award for I and You and The Book of Will, the winner of the Lanford Wilson Award and a finalist for the Susan Smith Blackburn Prize. She is a playwright, screenwriter, musical book writer and children’s author who lives in San Francisco. She graduated from NYU Tisch as a Reynolds Fellow in Social Entrepreneurship. LaurenGunderson.com
Director
Kaja Dunn
Kaja Dunn
Kaja Dunn (Resident Intimacy Director) Folger Theatre: Metamorphoses, The Winter’s Tale, Our Verse In Time To Come (The Reading Room Festival); Arena Stage: American Prophet; Denver Center for the Arts: Choir Boy, 5thAve; ACT Theatre (Seattle): Choir Boy; St. Louis Rep.: Private Lives, Confederates; Two River Theatre: Wine In The Wilderness; Penumbra Theatre: Sugar In Our Wounds; Broadway: A Strange Loop (Assoc. Intimacy Director); Television: The Best Man, Final Chapters, Harlem, The Equalizer; Awards: Kennedy Center American Theatre Award, Playwrights Project Excellence in Arts Education; Publications: Arden Contemporary Shakespeare, Intimacy Direction For Theatre, Theatre Symposium, HowlRound. Theatre, Dance and Performance Training (UK). Carnegie Mellon University: Associate Professor.
Cincinnati Shakespeare Company
Cincinnati Shakespeare Company
Cincinnati Shakespeare Company was founded in 1993 by a group of passionate and visionary young artists, and over the past three decades has evolved into a permanent fixture in Cincinnati’s arts community. The first season consisted of five productions in multiple venues; today, CSC presents more than 250 performances of nine productions annually in its downtown theatre and through touring productions across the region. In 2017, CSC opened the brand new $17.5MM Otto M. Budig Theater in Cincinnati’s historic Over-The-Rhine, helping to distinguish the company as the only professional classical theater between Chicago and New Jersey.
Lighting Designer
Max Doolittle
Max Doolittle
Max Doolittle (Lighting Designer) Folger Theatre: The Winter’s Tale, King John, Amadeus, The Merry Wives of Windsor. Design work at other Washington DC theaters includes: Ford’s Theatre, Woolly Mammoth Theatre Company, Olney Theatre Center, Signature Theatre, Mosaic Theatre, Theatre Alliance, Theatre J, Rep Stage, Kennedy Center/Second City, Imagination Stage, Forum Theatre, Adventure Theatre, Constellation Theatre, Shakespeare Theatre Academy for Classical Acting, Pointless Theatre Company, NextStop Theatre. Design work at New York theaters includes: Ars Nova, Juilliard School, New Ohio Theatre, New World Stages. Design work at regional theaters includes: Geffen Playhouse, Kitchen Theatre Company, Great Lakes Center for the Arts, Pennsylvania Shakespeare Festival, Fulton Theatre. Television: Anderson Cooper 360, Piers Morgan Live (Light Direction). Cruise Ships: Wine Lovers, The Musical.
Sound Designer
Sarah O'Halloran
Sarah O'Halloran
Sarah O’Halloran (Sound Designer) Folger Theatre: Nathan the Wise, in association with Theater J. Ford’s Theatre: Mr. Lincoln; Everyman Theatre: Queens Girl: Black in the Green Mountains, Sense and Sensibility, Be Here Now, Proof, Dinner with Friends; Theater J: Prayer for the French Republic, The Hatmaker’s Wife, This Much I Know, The Chameleon, Gloria: A Life, Two Jews Walk into a War, Compulsion, Talley’s Folly; Olney Theater Center: The Brothers Paranormal, The Humans, Our Town, Labour of Love; 1st Stage: The Phlebotomist, The Brothers Size, Swimming with Whales, Trevor, When the Rain Stops Falling; Studio Theatre: Cry it Out; Rep Stage: The Glass Menagerie; E2: The 39 Steps, The Heidi Chronicles, Things That Are Round; Mosaic Theater: In His Hands, The Return; Theater Alliance: A Chorus Within Her.
Casting Director
Daryl Eisenberg
Daryl Eisenberg
Daryl Eisenberg (Casting Director) Folger Theatre: Numerous productions since 2013; Theater J: Hester Street; The Kennedy Center: Voices Festival Productions, Spells of the Sea. Broadway: Gettin’ the Band Back Together. Off-Broadway: Bedlam, That Parenting Musical, White Rose. Regional: Cincinnati Playhouse in the Park: Rutka; Tennessee Performing Arts Center: Florida Georgia Line’s May We All; Broadway in Chicago: Heartbreak Hotel; Cape Cod Theatre Project. Film/television: The Cathedral (MUBI), Menorah in the Middle (Hulu), The MisEducation of Bindu (Peacock), Shadows (HBO), Angry Neighbors (Lionsgate), Hey, Viktor. Audio: Limetown, The Callisto Protocol: Helix Station, Shipworm, City of Ghosts, Falling in Love with Mr. Dellamort, Verdict, High-Risers, Chutzpah. Artios-nominated Member of Casting Society of America. www.ebcastingco.com. IG: @EBCastingCo.
Assistant Director and Dramaturg
Shana Laski
Shana Laski
Shana Laski (Assistant Director and Dramaturg) Folger Theatre: The Winter’s Tale, The Tempest with Round House Theatre. Round House Theatre: Artistic Apprentice, Jennifer Who Is Leaving (Assistant Director), Radio Golf (Dramaturg); Spooky Action: Sonnets for an Old Century; Cogent Theatre Company: Closer; Rorschach Theatre; Expats Theatre, Theatre Prometheus, and others. @shana.laski shanalaski.com.
Production Stage Manager
Hope Villanueva
Hope Villanueva
Hope Villanueva (Production Stage Manager) Folger Theatre: Hamlet, The Reading Room Festival. Berkeley Repertory Theater and Baltimore Center Stage: Mexodus; Soho Rep: The Fires; Signature Theatre: King of the Yees; Olney Theatre Center: A Nice Indian Boy, Our Town; Woolly Mammoth: BLKS; Kennedy Center: The Dragon King’s Daughter, The Day You Begin; The Second City/Kennedy Center: Twist Your Dickens; Mosaic Theatre: Private, Marie and Rosetta, The Vagrant Trilogy, Paper Dolls, Queens Girl in Africa; Studio Theatre: Hand to God, Choir Boy. New York: Romy & Michele: The Musical; American Repertory Theatre: WILD A Musical Becoming; The Bourbon Room: Rock of Ages Hollywood; Barrington Stage: Blues for an Alabama Sky; Honolulu Theatre for Youth, Resident PSM. Off-Broadway: Who’s Your Baghdaddy? National Tour: Rock of Ages, Young Frankenstein, My Fair Lady, Ringling Bros. and Barnum & Bailey’s Bellobration.
Assistant Stage Manager
Jenna Lynn Keefer
Jenna Lynn Keefer
Jenna Lynn Keefer (Assistant Stage Manager) Folger Theatre: Metamorphoses, The Reading Room: The Cuban Vote; Compagnia de’ Colombari: REVELATION; Laboratory for Global Performance and Politics: Little Amal at the Capitol; Constellation Theatre Company: Desperate Measures, Incognito; Taffety Punk Theatre Company: La Salpêtrière; Spooky Action Theatre: The Realistic Joneses. Regional: Baltimore Center Stage: The Medicine Show, Our Town; The Peabody Institute: Cendrillon, Other Side of the Story; Olney Theatre Center: A Christmas Carrol; Hope Repertory Theatre: Lady Day at Emerson’s Bar and Grill, It’s a Wonderful Life, Every Brilliant Thing, The Importance of Being Earnest, A Year with Frog and Toad. Television: CNN Biden Town Hall.
Accessibility
The Folger wants every visitor to enjoy exploring our building, our programs, and our collection. We strive to provide access to all audiences.
Please contact us at VisitorServices@folger.edu or (202) 544-7077 with questions or requests. More information
Relaxed performances
- Sunday, March 16, 2025 at 7:30pm
- Wednesday, March 26, 2025 at 2pm
Relaxed performances are designed to create a welcoming and comfortable environment for audiences that may receive and react to information in different ways. The content of the production is the same, but some elements of the environment are altered.
Please contact VisitorServices@folger.edu with any additional questions.
Audio-described performance
- Saturday, March 22, 2025 at 2pm
Audio description (AD) is a narration service that attempts to describe the visual aspects of theatre and make the visual an auditory experience, with the goal of helping low vision and Blind audience members share in the experience of live theatre more fully.
Please contact VisitorServices@folger.edu with any additional questions.
Mask-required performance
- Sunday, March 30, 2025 at 7:30pm
While Folger Theatre no longer requires masks at most performances, we recognize that some patrons may prefer to attend in a fully masked environment. At the request of audience members, Folger Theatre has designated several performances during the 2024-2025 season as mask-required for all audience members, staff, and volunteers. If you need a mask, we are happy to provide one to you.
Please contact VisitorServices@folger.edu with any additional questions.
Open-captioned performances
- Sunday, March 30, 2025 at 2pm and 7:30pm
Open-captioning makes live theater performances accessible by using a non-intrusive caption board at the front of the stage which scrolls the entire text of the production in real time.
For information about the best seat locations from which to see the caption board, contact at VisitorServices@folger.edu or (202) 544–7077.
Special performances
Pay what you will
- Tuesday, March 4, 2025 at 7:30pm
The concept is simple: you tell us what you will pay for your ticket! Sales begin two (2) hours before curtain at the door and are available on a first come, first served basis — limit one (1) ticket per person.
Post-show discussion
- Thursday, March 20, 2025 at 7:30pm
Join us after the performance for a free conversation with the cast, moderated by the production dramaturg.
Folger Theatre Sponsors
With special thanks to
The Share Fund
Premier Season Sponsor
Dr. Bill and Evelyn Braithwaite
Season Sponsor
Helen and David Kenney & Family
Andrea “Andi” Kasarsky
Production Sponsor
Nancy and Steve Howard (Romeo and Juliet)
Contributing Sponsor
Celia and Keith Arnaud
Gail Kern Paster
Associate Sponsor
Timothy J. Carlton (Romeo and Juliet)
Wes and Sly Hallman
Peter and Mary Pennington
Rick Kasten (Romeo and Juliet)
Artist Sponsor
Karl K. and Carrol Benner Kindel
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A Room in the Castle