Theater and performance
Accounting for Relationships: the Drury Lane Financial Records
A guest post by Chelsea Phillips With the cherry trees blooming (almost), the sun shining (sometimes), and tax season looming, there is no more delightful time to consider the vagaries of 18th-century theatrical accounting practice. The Folger Shakespeare Library holds…
Hats Off to Millinery: The fabulous headware of 'Nell Gwynn'
Milliner Adelle Gresock describes below how she created the fabulous chapeaux seen in ‘Nell Gwynn.’
Come Hither, Actors / Physicality
A guest post by Barbara Bono, Arlynda Boyer, Eric Brinkman, Musa Gurnis, Maria S. Horne, Emily MacLeod, Deborah Payne, Melanie Rio, Joseph Roach, Kirara Sato, Katherine Schaap Williams, and Gretchen York The fourth and final part of the blog post…
Come Hither, Actors / Mentality
A guest post by Barbara Bono, Arlynda Boyer, Eric Brinkman, Musa Gurnis, Maria S. Horne, Emily MacLeod, Deborah Payne, Melanie Rio, Joseph Roach, Kirara Sato, Katherine Schaap Williams, and Gretchen York Part three of the blog post written by the…
Come Hither, Actors / Temporality
A guest post by Barbara Bono, Arlynda Boyer, Eric Brinkman, Musa Gurnis, Maria S. Horne, Emily MacLeod, Deborah Payne, Melanie Rio, Joseph Roach, Kirara Sato, Katherine Schaap Williams, and Gretchen York Part two of the blog post written by the…
Come Hither, Actors / Textuality
A guest post by Barbara Bono, Arlynda Boyer, Eric Brinkman, Musa Gurnis, Maria S. Horne, Emily MacLeod, Deborah Payne, Melanie Rio, Joseph Roach, Kirara Sato, Katherine Schaap Williams, and Gretchen York The actors are come hither, my lord. (Hamlet, 2.2.416)…
Dramaturg's Notes: Nell Gwynn
Folger Resident Dramaturg Michele Osherow guides us through the world of Restoration theater and introduces us to the remarkable Nell Gwynn.
Theatrical Bills and Receipts
Folger manuscripts W.b.110 and W.b.111 are an oddly mis-matched pair. W.b.110 is nearly 46cm tall (almost 18 inches, for those playing along at home) and nearly 160 leaves, while W.b.111 is a good 10cm shorter and about a third the…
Setting the Stage for 'King John'
From the battlefield to the throne room, scenic designer Andrew Cohen offers a glimpse into the inspirations behind the set for Folger Theatre’s King John.
Dramaturg's Notes: King John
olger Resident Dramaturg Michele Osherow introduces us to King John—Shakespeare’s play about the troublesome, Magna-Carta-signing English ruler—before this rarely performed play takes the Folger stage later this month.
Minding the Gaps of Early Modern Drama
A Guest Post by Heidi Craig The history of early modern drama and theatre is punctured with gaps, unknowns, and absences. Over half of the estimated 3,000 professional plays performed before the closure of the theatres in 1642 have evaporated…
“A Strange Perfection”: Staging Bedlam in our Restoration Macbeth
Dramaturgical intern Sarah Lind previously introduced us to the historical Bedlam asylum, the setting for Folger’s current production of Macbeth. Today, she looks more closely at how the production uses Bedlam to explore this Restoration version of Shakespeare’s bloody tragedy, and…