Theater and performance
Dramaturg's Notes: The Merry Wives of Windsor
Folger Resident Dramaturg Michele Osherow explores the history of ‘The Merry Wives of Windsor,’ the wit of its wives, and the far-out 1970s setting of Folger Theatre’s production.
A Costume Journey through 'Amadeus' with Mariah Anzaldo Hale
Costume designer and long-time Folger collaborator Mariah Anzaldo Hale’s guides us through the costume journey of Constanze Weber through the first act of the play.
Kenny Leon on Much Ado About Nothing
Director Kenny Leon’s production of Much Ado About Nothing mesmerized audiences during the Public Theater’s Shakespeare in the Park (now available on PBS’s Great Performances). Leon shares how he approaches a new production and how Shakespeare’s comedies speak to our present moment.
Wigging Out: Designer Dori Beau Seigneur on the Fabulous Hair of 'Amadeus'
Wig designer Dori Beau Seigneur takes us through the process of fashioning the fabulous hair currently being sported on the Folger stage.
Photo Gallery: 'Amadeus' First Rehearsal and Read-Through
Explore Folger Theatre’s gallery for a sneak peek at Amadeus’ first read-through.
"They Fight": Choreographing Shakespeare's Violence with U. Jonathan Toppo
Folger Theatre’s ‘1 Henry IV’ closes on Sunday. We celebrate the end of this “must-see” production by chatting with actor and fight choreographer U. Jonathan Toppo.
Dramaturg's Notes: Love's Labor's Lost
Folger Resident Dramaturg and UMBC Associate Professor of English Michele Osherow takes us inside Folger Theatre’s unique production to explore why Shakespeare’s romantic comedy is so perfectly suited to DC in the 1930s.
Costuming 'Confection'
Before we say good-bye to this extraordinary ‘Confection,’ explore how costume designer Karen Young created the look of this lavish feast for the senses.
Accounting for Relationships: the Drury Lane Financial Records
A guest post by Chelsea Phillips With the cherry trees blooming (almost), the sun shining (sometimes), and tax season looming, there is no more delightful time to consider the vagaries of 18th-century theatrical accounting practice. The Folger Shakespeare Library holds…
Hats Off to Millinery: The fabulous headware of 'Nell Gwynn'
Milliner Adelle Gresock describes below how she created the fabulous chapeaux seen in ‘Nell Gwynn.’
Come Hither, Actors / Physicality
A guest post by Barbara Bono, Arlynda Boyer, Eric Brinkman, Musa Gurnis, Maria S. Horne, Emily MacLeod, Deborah Payne, Melanie Rio, Joseph Roach, Kirara Sato, Katherine Schaap Williams, and Gretchen York The fourth and final part of the blog post…
Come Hither, Actors / Mentality
A guest post by Barbara Bono, Arlynda Boyer, Eric Brinkman, Musa Gurnis, Maria S. Horne, Emily MacLeod, Deborah Payne, Melanie Rio, Joseph Roach, Kirara Sato, Katherine Schaap Williams, and Gretchen York Part three of the blog post written by the…