Skip to main content
All 98 posts on

Theater and performance

Kenny Leon on Much Ado About Nothing
Shakespeare Unlimited

Kenny Leon on Much Ado About Nothing

Posted

Shakespeare Unlimited: Episode 133 Director Kenny Leon’s production of Much Ado About Nothing mesmerized audiences during the Public Theater’s Shakespeare in the Park last summer. Now, you can watch this exuberant, sassy, and political performance, starring Orange is the New Black’s…

Wigging Out: Designer Dori Beau Seigneur on the Fabulous Hair of 'Amadeus'
Folger Spotlight

Wigging Out: Designer Dori Beau Seigneur on the Fabulous Hair of 'Amadeus'

Posted
Author
Folger Theatre

Wig designer Dori Beau Seigneur takes us through the process of fashioning the fabulous hair currently being sported on the Folger stage.

Photo Gallery: 'Amadeus' First Rehearsal and Read-Through
Folger Spotlight

Photo Gallery: 'Amadeus' First Rehearsal and Read-Through

Posted
Author
Folger Theatre

Explore Folger Theatre’s gallery for a sneak peek at Amadeus’ first read-through.

"They Fight": Choreographing Shakespeare's Violence with U. Jonathan Toppo
Folger Spotlight

"They Fight": Choreographing Shakespeare's Violence with U. Jonathan Toppo

Posted
Author
Folger Theatre

Folger Theatre’s ‘1 Henry IV’ closes on Sunday. We celebrate the end of this “must-see” production by chatting with actor and fight choreographer U. Jonathan Toppo.

Dramaturg's Notes: Love's Labor's Lost
Folger Spotlight

Dramaturg's Notes: Love's Labor's Lost

Posted
Author
Michele Osherow

Folger Resident Dramaturg and UMBC Associate Professor of English Michele Osherow takes us inside Folger Theatre’s unique production to explore why Shakespeare’s romantic comedy is so perfectly suited to DC in the 1930s.

Costuming 'Confection'
Folger Spotlight

Costuming 'Confection'

Posted
Author
Folger Theatre

Before we say good-bye to this extraordinary ‘Confection,’ explore how costume designer Karen Young created the look of this lavish feast for the senses.

Accounting for Relationships: the Drury Lane Financial Records
Collation

Accounting for Relationships: the Drury Lane Financial Records

Posted
Author
Chelsea Phillips

A guest post by Chelsea Phillips With the cherry trees blooming (almost), the sun shining (sometimes), and tax season looming, there is no more delightful time to consider the vagaries of 18th-century theatrical accounting practice. The Folger Shakespeare Library holds…

Hats Off to Millinery: The fabulous headware of 'Nell Gwynn'
Folger Spotlight

Hats Off to Millinery: The fabulous headware of 'Nell Gwynn'

Posted
Author
Folger Theatre

Milliner Adelle Gresock describes below how she created the fabulous chapeaux seen in ‘Nell Gwynn.’

Come Hither, Actors / Physicality
Collation

Come Hither, Actors / Physicality

Posted
Author
What Acting Is (seminar)

A guest post by Barbara Bono, Arlynda Boyer, Eric Brinkman, Musa Gurnis, Maria S. Horne, Emily MacLeod, Deborah Payne, Melanie Rio, Joseph Roach, Kirara Sato, Katherine Schaap Williams, and Gretchen York The fourth and final part of the blog post…

Come Hither, Actors / Mentality
Collation

Come Hither, Actors / Mentality

Posted
Author
What Acting Is (seminar)

A guest post by Barbara Bono, Arlynda Boyer, Eric Brinkman, Musa Gurnis, Maria S. Horne, Emily MacLeod, Deborah Payne, Melanie Rio, Joseph Roach, Kirara Sato, Katherine Schaap Williams, and Gretchen York Part three of the blog post written by the…

Come Hither, Actors / Temporality
Collation

Come Hither, Actors / Temporality

Posted
Author
What Acting Is (seminar)

A guest post by Barbara Bono, Arlynda Boyer, Eric Brinkman, Musa Gurnis, Maria S. Horne, Emily MacLeod, Deborah Payne, Melanie Rio, Joseph Roach, Kirara Sato, Katherine Schaap Williams, and Gretchen York Part two of the blog post written by the…

Come Hither, Actors / Textuality
Collation

Come Hither, Actors / Textuality

Posted
Author
What Acting Is (seminar)

A guest post by Barbara Bono, Arlynda Boyer, Eric Brinkman, Musa Gurnis, Maria S. Horne, Emily MacLeod, Deborah Payne, Melanie Rio, Joseph Roach, Kirara Sato, Katherine Schaap Williams, and Gretchen York The actors are come hither, my lord. (Hamlet, 2.2.416)…

1 2 3 4 9