Staging Shakespeare

Shakespeare companies have lots of creative programs happening this month both online and in-person. Here’s what the Folger’s theater partners are up to this November.

There are a ton of places to watch Shakespeare in October, both online and in-person. Here’s what the Folger’s theater partners are up to this month.

Shakespeare’s witches haven’t always terrified audiences. For a century and more – from the late 17th to the early 19th centuries – actors played these parts for laughs. During the period in which Shakespeare became “the Bard”, the witches in…

One of the lasting achievements of the extended COVID quarantine will surely be an extraordinary archive of the complete works of William Shakespeare performed on Zoom by casts from around the world, under the umbrella title The Show Must Go…

Shakespeare became the Bard of Avon, the English national poet, in the roughly two hundred years following his death in 1616. During this period, his plays were constantly staged in theaters throughout the British Isles and their colonies—but often in…

Joining forces with public radio’s WNYC during the pandemic, the Public Theater did something that hadn’t been done before: a four-night serialized Richard II with expert analysis and stories from cast members. We go behind the scenes to learn how they did it.

Check out a mix of innovative online programming and safely socially-distanced in-person performances from Shakespeare companies across the US.

There are philosophical travesties, which use absurdity to further explore the ideas Shakespeare raised in his plays. And there are popular travesties, which are substantially less faithful to Shakespeare’s original, trafficking in the most well-known touchstones of the plays. Explore…

Double-casting is a theater technique (as opposed to a literary one) that creates a meta-narrative, transforming a large-cast play into a present-tense adventure. Actors swapping costumes and changing roles (and sometimes genders) becomes part of the thrilling ride, and theater’s…

Imagine a King Lear that cut the character of the Fool, created a romance between Edgar and Cordelia, and featured a happy ending in which Lear and Cordelia both live. That was the most popular version of Shakespeare’s play for…

Debra Ann Byrd writes about encountering an early female Othello in the Folger collection and developing her memoir and solo show, Becoming Othello.

‘American Moor’ playwright and actor Keith Hamilton Cobb writes about speaking back to Shakespeare, White American Theater, and frameworks of privilege.