Scenic design

Thanks to everyone who registered a guess for this month’s Crocodile Mystery and congratulations to those of you who answered correctly! As many of you pointed out, the oddity in the final disposition of characters is Macbeth’s full-bodied presence on…

Thanks to those who registered your guesses on our most recent Crocodile Mystery. All of the guesses gazed upward, when the answer actually lay underfoot. While these strange designs resemble theatrical lighting effects, they are, in fact, designs for stage…

From the battlefield to the throne room, scenic designer Andrew Cohen offers a glimpse into the inspirations behind the set for Folger Theatre’s King John.

We spoke to scenic designer Alexander Dodge to find out what it was like turning our Elizabethan theater into a chic Hamptons setting for Theresa Rebeck’s The Way of the World.

Scenic designer Tony Cisek speaks to The Folger Spotlight about his inspirations for Antony and Cleopatra’s set and returning to an in-the-round configuration.

With lights by Andrew F. Griffin and projections by Francesca Talenti, Tony Cisek’s striking scenic design for Timon of Athens has been wowing audiences since performances began on May 9. Folger Spotlight spoke to Cisek to find out more about…

The last production of Folger Theatre’s 25th anniversary season began on Monday with the first rehearsal and read-through of Timon of Athens. What can we expect from this rarely performed play? Let’s take a peek inside the room and see what we…

Sense & Sensibility set designer John McDermott designed Bedlam’s Sense & Sensibility in New York and has designed over 100 productions in theaters around the country. Check out the first part of his reflections on the Folger’s Sense & Sensibility and read on to learn about about why designing this production…

Sense & Sensibility is set designer John McDermott’s first Folger production. He designed Bedlam’s Sense & Sensibility in New York and has designed over 100 productions in theaters around the country. You can learn more about John’s work and see photos of his previous designs on…

Scenic Designer Tony Cisek has designed tens of shows at the Folger, including Mary Stuart, Julius Caesar, Twelfth Night, and Henry V. His assistant designer Paige Hathaway recently designed A Midsummer Night’s Dream and Rosencrantz and Guildenstern Are Dead. Read Paige’s insights into the design of District Merchants below and join us…

Actor Ian Merrill Peakes (“The Player”) continues sharing his thoughts on the Folger Theatre production of Tom Stoppard’s Rosencrantz and Guildenstern are Dead.  Learn more about Ian at the Folger and read his previous posts.  I have done (and it’s true,…

The exhalations whizzing in the air / Give so much light that I may read by them (Julius Caesar, II.i.46-47) Today’s guest post comes from Jim Hunter, the lighting designer for Julius Caesar. Jim is a professor of theatrical design at the University of South…