Inside Shakespeare's plays
Introducing Shakespeare and Greek Myths: Theseus and Hippolyta
Welcome to our new Shakespeare and Greek Myths series. We’re starting off with Theseus and Hippolyta–figures who are not only referred to in the plays, but are also fully formed characters in two of them: A Midsummer Night’s Dream and…
Speaking what we feel: Shakespeare’s plague plays
How do Shakespeare’s plays reflect a life filled with plague outbreaks, asks Austin Tichenor — and do we see his plays in new ways now?
Richard III: My kingdom for a horse
“My kingdom for a horse!” A titanic villain in Shakespeare’s history plays, Richard III departs the stage and this life at the Battle of Bosworth Field. Mark the battle’s anniversary with these posts and podcast episodes.
“This is the English, not the Turkish court”: Ottomans in Shakespeare’s Henriad
In Shakespeare’s Henriad – Richard II (1595), Henry IV Part I (1596), Henry IV Part II (1597), and Henry V (1599) – English Christian characters frequently employ negative Turkish tropes when criticizing each other’s corrupt political agendas. However, these tropes differ from…
“Good Peter Quince:” Shakespeare’s most autobiographical character
Richard Ruiz (Peter Quince) and Holly Twyford (Bottom) in A Midsummer Night’s Dream, Folger Theatre, 2016. Teresa Wood. A Midsummer’s Night’s Dream is one of William Shakespeare’s most popular plays, and for good reason. Frequently a young person’s introduction to…
Better than laughing: Renaissance melancholy
The most famous book about Renaissance melancholy, Robert Burton’s The Anatomy of Melancholy (1621), celebrates its four hundredth anniversary this year. Though it was published five years after Shakespeare’s death, it gathers together ideas about melancholy from antiquity right through…
20 Shakespeare quotes about love
The word “love” appears 2,146 times in Shakespeare’s collected works (including a handful of “loves” and “loved”). Add to that 59 instances of “beloved” and 133 uses of “loving” and you’ve got yourself a “whole lotta love.” So, what does…
“Comic sport”: Shakespeare’s depictions of governments in chaos
Chaotic and ineffective government may be a problem in our current life, but it makes for excellent drama in the theater — and in William Shakespeare’s hands, excellent comedy as well.
Romeo and Juliet: Is Shakespeare’s famous love story actually a play about violence?
Is Romeo and Juliet a play about love? Well yes, but it’s also about violence, argues Casey Kaleba, the fight director for many Folger Theatre productions and one of the Washington, DC, area’s most sought-after fight coaches for stage plays.
Losing the name of action: Hamlet reconsidered
Photograph by Lizzie Caswall Smith of Sir Johnston Forbes-Robertson as Hamlet. Folger Shakespeare Library. During this global pandemic, when the whole world is quarantined to try to prevent the spread of COVID-19, Hamlet seems like a character perfectly suited to…
The dinner table as classroom: Home-schooling gone wrong in 'The Taming of the Shrew'
Shakespeare’s comedy The Taming of the Shrew showcases one of the earliest and thorniest examples of teaching in a home environment—thorny both because of the way pedagogy in the play is full of cynicism and brutality, and because, on the…
The Merry Wives of Windsor: What sets this comedy apart from Shakespeare’s other plays?
Simple (Derrick Truby) and Mistress Quickly (Kate Eastwood Norris) in The Merry Wives of Windsor, Folger Theatre, 2019. Cameron Whitman Photography. The Merry Wives of Windsor was written at the end of the 16th century, and is what I would…