Inside Shakespeare's plays

With the total lunar eclipse happening this weekend, we take a look at three of the ways Shakespeare used eclipses in his plays and poems.

“We’re told from a young age that tragedy teaches us important things about what it means to be human. But does it actually teach us anything, or simply reveal what we already know?” writes Austin Tichenor, who looks at Shakespeare’s…

Welcome to our new Shakespeare and Greek Myths series. We’re starting off with Theseus and Hippolyta–figures who are not only referred to in the plays, but are also fully formed characters in two of them: A Midsummer Night’s Dream and…

How do Shakespeare’s plays reflect a life filled with plague outbreaks, asks Austin Tichenor — and do we see his plays in new ways now?

“My kingdom for a horse!” A titanic villain in Shakespeare’s history plays, Richard III departs the stage and this life at the Battle of Bosworth Field. Mark the battle’s anniversary with these posts and podcast episodes.

In Shakespeare’s Henriad – Richard II (1595), Henry IV Part I (1596), Henry IV Part II (1597), and Henry V (1599) – English Christian characters frequently employ negative Turkish tropes when criticizing each other’s corrupt political agendas. However, these tropes differ from…

Richard Ruiz (Peter Quince) and Holly Twyford (Bottom) in A Midsummer Night’s Dream, Folger Theatre, 2016. Teresa Wood.  A Midsummer’s Night’s Dream is one of William Shakespeare’s most popular plays, and for good reason. Frequently a young person’s introduction to…

The most famous book about Renaissance melancholy, Robert Burton’s The Anatomy of Melancholy (1621), celebrates its four hundredth anniversary this year. Though it was published five years after Shakespeare’s death, it gathers together ideas about melancholy from antiquity right through…

The word “love” appears 2,146 times in Shakespeare’s collected works (including a handful of “loves” and “loved”). Add to that 59 instances of “beloved” and 133 uses of “loving” and you’ve got yourself a “whole lotta love.” So, what does…

Chaotic and ineffective government may be a problem in our current life, but it makes for excellent drama in the theater — and in William Shakespeare’s hands, excellent comedy as well.

Is Romeo and Juliet a play about love? Well yes, but it’s also about violence, argues Casey Kaleba, the fight director for many Folger Theatre productions and one of the Washington, DC, area’s most sought-after fight coaches for stage plays.

Photograph by Lizzie Caswall Smith of Sir Johnston Forbes-Robertson as Hamlet. Folger Shakespeare Library. During this global pandemic, when the whole world is quarantined to try to prevent the spread of COVID-19, Hamlet seems like a character perfectly suited to…