Folger Collections
Printing plays in Mexico
Dumbarton Oaks fellow Abner Aldarondo explores a book in the Folger Collection that gathers together six plays printed in Mexico City in the 1830s.
Experiences of Captivity in the Books of John Smith
Folger Fellow Adrian Finucane explores issues of captivity in John Smith’s writing.
"What’s in a name?" That which we call [primitive] by any other word...
Artist Eva Rocha’s multimedia work investigates processes of dehumanization and in this post she looks at early colonial depictions of “Original Peoples”.
A 17th Century Letter Collection, Part 2: Travelling Around Early Modern England, 1630-1632
A continued look at the Powell family letters.
Collection Connections: ‘A Tip for the Hangman' by Allison Epstein
We revisit the March 2023 presentation by Abner Aldarondo about the ciphers and censorship related to A Tip for the Hangman by Allison Epstein.
Censorship and the Valladolid Folio
Why was this copy of the Second Folio so heavily redacted? Dumbarton Oaks fellow Abner Aldarondo explores the reasons.
Collection Connections: ‘Booth' by Karen Joy Fowler
David McKenzie shares Folger collection items related to the Booth family and 19th-century performance as depicted in Booth by Karen Joy Fowler.
Collection Connections: ‘Black Cake' by Charmaine Wilkerson
We revisit the December 2022 presentation by Brittany Merritt Nash about sugar production and its relationship to Black Cake by Charmaine Wilkerson.
“To the right Wor[shipfu]ll and my very louinge freinde the Lady Powell …”: A 17th Century Letter Collection
The first part of a series of posts examining the Powell family letters.
