Folger Collections
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A Game at Chess: Popularity and Controversy
Dumbarton Oaks fellow, Abner Aldarondo, discusses Thomas Middleton’s popular, but controversial play, A Game at Chess.
'The Daughter of Time' by Josephine Tey
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Collection Connections:
'The Daughter of Time' by Josephine Tey
We revisit the June 2023 presentation by Dr. Katherine Schaap Williams on Richard III and Josephine Tey’s novel, The Daughter of Time.
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Philanthropy and Torture: Linking Workhouses and Plantations
Folger Fellow Justin Roberts explores the appearance of torture instruments in 17th century workhouses.
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A 17th Century Letter Collection, Part 3: Farming in Early Modern England, 1630-1632
A final look at the Powell family letters.
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Printing plays in Mexico
Dumbarton Oaks fellow Abner Aldarondo explores a book in the Folger Collection that gathers together six plays printed in Mexico City in the 1830s.
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Experiences of Captivity in the Books of John Smith
Folger Fellow Adrian Finucane explores issues of captivity in John Smith’s writing.
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"What’s in a name?" That which we call [primitive] by any other word...
Artist Eva Rocha’s multimedia work investigates processes of dehumanization and in this post she looks at early colonial depictions of “Original Peoples”.
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A 17th Century Letter Collection, Part 2: Travelling Around Early Modern England, 1630-1632
A continued look at the Powell family letters.
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Collection Connections: ‘A Tip for the Hangman' by Allison Epstein
We revisit the March 2023 presentation by Abner Aldarondo about the ciphers and censorship related to A Tip for the Hangman by Allison Epstein.
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Censorship and the Valladolid Folio
Why was this copy of the Second Folio so heavily redacted? Dumbarton Oaks fellow Abner Aldarondo explores the reasons.
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Collection Connections: ‘Booth' by Karen Joy Fowler
David McKenzie shares Folger collection items related to the Booth family and 19th-century performance as depicted in Booth by Karen Joy Fowler.
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Collection Connections: ‘Black Cake' by Charmaine Wilkerson
We revisit the December 2022 presentation by Brittany Merritt Nash about sugar production and its relationship to Black Cake by Charmaine Wilkerson.