Folger Collections

“When I was young and first read ‘OTHELLO,’ I thought the character of RODERIGO of little importance; it seemed introduced merely to fill up those vacancies of action which might otherwise have remained unemployed.” Hey, blogfriends! It’s your pal Louis,…

I’d like to say that I cleverly scheduled the installation of Benjamin Wilson’s William Powell as Hamlet encountering the Ghost for last Friday so that the Founders’ Room would have a ghost in time for Halloween. Unfortunately, there were witnesses…

What do Folger staff read in their spare time?  Not necessarily Shakespeare!  I’ve recently finished a wonderful book by Daisy Hay called The Young Romantics, published in the spring of 2010 and now available in hardback, paperback, or on a…

Three months ago the Folger was lucky enough to acquire a letter from Thomas Cromwell to George Talbot, earl of Shrewsbury. I say lucky because while roughly 350 letters from Cromwell survive, almost all of them are at either the…

Well, we have just finished the first half of our first day of “Tech” for Othello at Folger Theatre. Here’s the rundown on the day so far… 11am-Noon: Actors arrive in two waves to get into costume. Some of us…

In working on the Shakespeare Collection NEH grant-funded project for the past year, I have learned more than I ever imagined possible regarding the history of eighteenth-century publishing, particularly the “Shakespeare copyrights” and ownership disputes between booksellers. The feud between…

While looking at early modern book illustration in the undergraduate seminar on Friday, we got to talking about the false assumption that copperplate illustrations always indicate better-quality publications, while woodcuts are inherently lowly. True, the raw material is more expensive:…

Cataloging and Preserving the Shakespeare Collection is a three-year project at the Folger Shakespeare Library funded by a grant from the National Endowment for the Humanities (NEH). Catalogers are working to create and upgrade definitive records for the Folger’s more…

If you’re a type designer (or a type caster, to be more appropriate to the early modern period), how do you show people examples of your wares? You use a specimen sheet: On this sheet, we see a matched set…

Last Friday a much-anticipated package arrived at the Folger, containing a series of fifteen deeds describing the successive ownership of two adjacent properties on Fleet Street (“The King’s Highway”) in London from 1543 to 1735. Deeds can be tedious to…

Conventional wisdom sets up two distinct experiences of Shakespeare’s plays: readers encountering a text, and audiences encountering a performance. The Folger recently acquired a 1995 version of The Tempest by London book artist Sue Doggett that complicates the distinction. Readers…

One of the great things about running the @FolgerResearch twitter account is pulling together the Wednesday Wunderkammer from the Folger Digital Image Collection. It’s a chance for me to explore what’s in the constantly growing collection, making new discoveries and…