Folger Collections
The Royal Arctic Theatre and HMS Resolute
During the seemingly-endless heat waves of summer, I am drawn to reading about polar exploration. A few years ago I mentioned to a Folger colleague that I had just finished reading Alfred Lansing’s Endurance: Shackleton’s Incredible Voyage, and they replied,…
FAST FACTS about our FAST ACCS (early modern manuscript edition)
Curator of Manuscript, Heather Wolfe, shows off some of the recent manuscript acquisitions.
A Game at Chess: Popularity and Controversy
Dumbarton Oaks fellow, Abner Aldarondo, discusses Thomas Middleton’s popular, but controversial play, A Game at Chess.
'The Daughter of Time' by Josephine Tey
Collection Connections:
'The Daughter of Time' by Josephine Tey
We revisit the June 2023 presentation by Dr. Katherine Schaap Williams on Richard III and Josephine Tey’s novel, The Daughter of Time.
Philanthropy and Torture: Linking Workhouses and Plantations
Folger Fellow Justin Roberts explores the appearance of torture instruments in 17th century workhouses.
A 17th Century Letter Collection, Part 3: Farming in Early Modern England, 1630-1632
A final look at the Powell family letters.
Printing plays in Mexico
Dumbarton Oaks fellow Abner Aldarondo explores a book in the Folger Collection that gathers together six plays printed in Mexico City in the 1830s.
Experiences of Captivity in the Books of John Smith
Folger Fellow Adrian Finucane explores issues of captivity in John Smith’s writing.
"What’s in a name?" That which we call [primitive] by any other word...
Artist Eva Rocha’s multimedia work investigates processes of dehumanization and in this post she looks at early colonial depictions of “Original Peoples”.
A 17th Century Letter Collection, Part 2: Travelling Around Early Modern England, 1630-1632
A continued look at the Powell family letters.
Collection Connections: ‘A Tip for the Hangman' by Allison Epstein
We revisit the March 2023 presentation by Abner Aldarondo about the ciphers and censorship related to A Tip for the Hangman by Allison Epstein.
Censorship and the Valladolid Folio
Why was this copy of the Second Folio so heavily redacted? Dumbarton Oaks fellow Abner Aldarondo explores the reasons.