Skip to main content
All 477 posts on

Folger Collections

correcting mistakes
Collation

correcting mistakes

Posted
Author
Sarah Werner

In my last post, I wrote about my joy in finding printer’s errors and what we might learn from them about early modern printing. In this one, I want to look at some examples of what printers do to correct…

Spotlight on a calligrapher
Collation

Spotlight on a calligrapher

Posted
Author
Georgianna Ziegler

In an era when many schools don’t even teach cursive handwriting anymore because everyone taps out their messages on screens, it may seem quaint to focus on a woman known for her handwriting. But that’s exactly why we’re attracted to Esther Inglis.

learning from mistakes
Collation

learning from mistakes

Posted
Author
Sarah Werner

One of my favorite categories of early modern books are those that show errors, small mistakes made in the process of printing them. a leaf that was folded when it was printed I don’t love them because I like to…

Woodcut, engraving, or what?
Collation

Woodcut, engraving, or what?

Posted
Author
Erin Blake

When a reader needs  to verify the printmaking technique behind an early modern book illustration, I’m always happy to grab my favorite 10x loupe and head up to the Reading Room to have a closer look. By popular request, here…

Corsets, Curls, and Fontanges! Oh, my!
Folger Spotlight

Corsets, Curls, and Fontanges! Oh, my!

Posted
Author
Emily Townley

Hi, Blog-ites! The other Emily T, aka Alpiew, here. So The Gaming Table is officially up and running, and I’ve heard that we’ve received some terrific press, which is lovely and much appreciated. Looks like we have a hit on…

Women marking the text
Collation

Women marking the text

Posted
Author
Georgianna Ziegler

“I beegan, to ourloke this Booke . . . .”  These words are written by Lady Anne Clifford on the title page of her copy of John Selden’s Titles of Honor (1631), which is featured in the first case of…

A newly uncovered presentation copy by Margaret Cavendish
Collation

A newly uncovered presentation copy by Margaret Cavendish

Posted
Author
Heather Wolfe

Heather: The other day I received an email from the Conservation Lab with the subject line: “Annotation found on the verso of a lined frontispiece,” and a link to a couple of images, one taken under ultraviolet light. The conservators…

Two ways of looking at the same book
Collation

Two ways of looking at the same book

Posted
Author
Sarah Werner

As I’ve written about before, in my Undergraduate Seminars students devote the bulk of their research time to crafting a biography of the book they’ve chosen as their primary focus. They find out who wrote the book and who printed…

Investigating the origins of a Folger manuscript
Collation

Investigating the origins of a Folger manuscript

Posted
Author
Ashley Behringer

With this post we inaugurate a series by people working at the Folger as Interns. Classroom work and professional training never quite capture the true nature of the j – o – b. Therefore, for those pursuing advanced degrees in…

Play a Game, Win a Prize!
Folger Spotlight

Play a Game, Win a Prize!

Posted
Author
Emily Trask

Hello, Gaming Table friends! Emily Trask here again. We’re deep into the heart of rehearsals here at the Folger and will be starting technical rehearsals very soon. The set is incredible, the costumes unbelievable, and everyone is rightfully excited to…

Wagner and Shakespeare meet in Bayreuth
Collation

Wagner and Shakespeare meet in Bayreuth

Posted
Author
Erin Blake

Back in August, I posted about a unique artists’ book  from 1995. Today, I’d like to showcase an example from the other end of the twentieth century, an artists’ book created in 1908 by American painter Pinckney Marcius-Simons (1867–1909). In…

Basset, anyone?
Folger Spotlight

Basset, anyone?

Posted
Author
Emily Trask

Recently, a handful of brave cast members, as well as the director, stage manager, and dialect coach of The Gaming Table all bellied up to that titular table to learn how to play Basset. Why Basset, you ask? And why did…

1 46 47 48 49 50