Folger Collections

A guest post by Austin Plann Curley For a blank sheet of paper, we thought this one was pretty interesting. But before we get to what exactly it is, let’s refresh our understanding of how paper is made. Prior to…

The Folger Shakespeare Library’s 26 copies of various editions of Lodovico Ariosto’s Orlando Furioso attest to its success during the 16th and early 17th centuries (a success that continued for much longer, but that is another story). See for example Exercices furieux: à…

If you’re a regular user of the internet, you probably saw a multitude of images posted for the Bard’s birthday a few weeks ago. I can almost guarantee, though, that few were as opulent as the contribution from the University…

Spring is Conference Season for many academics, allowing us to travel far and wide for our academic and professional enrichment. Sometimes, we find ourselves traveling in places where the local language is not one of the ones we are most…

There is a place in the north Atlantic Ocean where emerald waters and sandy shores await your toes—at least, according to a 2015 holiday brochure on Barbados. The royalist Richard Ligon scarpered there in 1647 after backing the losing side…

This month’s crocodile is more of a challenge than a mystery. We are looking for paleographer beginners and lifers to have a stab at these lines and tell us the truth about sugar. If you think you know whose handwriting…

The Folger Shakespeare Library has never acquired another copy of a Shakespeare Folio since the Folgers’ time—until now. We recently added number 38 to our collection of Fourth Folios (S2915 Fo.4 no.38). Published in 1685, this was the last of…

In my last post about EMMO’s progress, I briefly mentioned Practical Paleography or “PracPaleo,” our intentionally relaxed, no-registration-required introduction to transcribing secretary hand for readers and staff at the Folger Shakespeare Library. This time around, I thought it would be…

correcting 4 lines (STC 25286; sig. 1r)Thanks to my last post, when Mitch Fraas and I were looking at how different copies of the same book handled having a printer error (Judas instead of Jesus, in that case), I’ve spent the…

“MS. corrections to the text, by the author (Folger files).” Such an innocuous note in the Folger copy note field of the record for our second copy of Philip Massinger’s The Bond-man (STC 17632). Meaghan Brown, the Folger’s CLIR Fellow,…

Co-written by Sarah Werner and Mitch Fraas One might think that when printing the New Testament, one would want to avoid at all costs mixing up Jesus and Judas. However, this month’s crocodile shows that such mistakes did happen: the typo…

In January, Caroline Duroselle-Melish joined the Folger as the new Andrew W. Mellon Curator of Early Modern Books and Prints, a position that gives her responsibility over books and prints through 1800. She has worked with a wide range of collections…