Folger Collections
Physical description in book cataloging
Does a4 A-O8 P10 make perfect sense to you? If so, please read on anyway. This isn’t a post on how to decode a collational formula. It’s a post about what to expect (and what not to expect) in the “physical description”…
District Merchants Costume Design
District Merchants costume designer Meghan Raham previously designed the sets for the Folger Theatre productions of The Conference of the Birds and Romeo and Juliet. Learn about her design process for this “Uneasy Comedy” below, and join us for District Merchants starting May 31. Research and design sketches…
Unlocking An Early Modern Account Book
The answer to last week’s Crocodile mystery is, as some of you guessed, £135 15s 0d (or 135 pounds, 15 shillings). This amount is a snippet of one entry made on a page in Folger MS V.b.308, the account book of…
Building a Replica of the John Wilkes Booth Diary
Guest Post by Folger conservator Austin Plann Curley “You can’t always get what you want.” So said the Rolling Stones in 1969. Such was the case for the Folger Shakespeare Library in our recent request to borrow the Diary of…
In Defense of the Card Catalog
Whenever I am giving a tour of our Reading Rooms, or introducing a new Reader to our collection, I always make it a point to mention that we still have a card catalog room (two, in fact—one primarily for our…
How to plan a Shakespeare tercentenary
The Folger has a wide assortment of commemorative material relating to Shakespearean celebrations—from David Garrick’s 1769 Shakespeare Jubilee, to tercentaries and quatercentenaries of Shakespeare’s birth (although no materials from the quatercentenary of his death quite yet)—but we hold very few…
Letter Scraps
Yes, indeed. As several readers astutely figured out, this scrap of paper most likely bears the tail-end of the phrase “Sotheby sale.” As for why it’s in our collection? Well, part of that answer comes with one more piece of…
Musae Faciles; or, an Oxford Study Guide
A guest post by Nicholas Tyacke Back in 2008, on the eve of directing a Faculty Weekend Seminar at the Folger, on “The University Cultures of Early-Modern Oxford and Cambridge,” I took the opportunity to consult the card catalog of…
A monument more lasting than bronze
exegi monumentum aere perennius regalique situ pyramidum altius, quod non imber edax, non Aquilo inpotens possit diruere… (Odes III: XXX, lines 1-4, published 23BC) I have built a monument more lasting than bronze, higher than the Pyramids’ regal structures, that…
Fallen Type
Those of you who replied to the Crocodile post last week guessed right: what you see in this image is a piece of fallen type that was printed by accident over a page of text being printed. The height of…
Textual variants in Shakespeare's love letter to Anne Hathaway
When Shakespeare was young and in love, he wrote a gushing letter to his bride-to-be, enclosing with it a lock of his hair and five verses. Or that’s what an audacious teenager in the 1790s would have us all believe. The supposed love letter…
Formal designs
Did you solve last week’s crocodile mystery? It’s a sonnet! A visual representation of the phonetic structures of Shakespeare’s Sonnet No. XXIX, to be precise (rotated sideways to be extra-mysterious). The pattern was created by Marjory Bates Pratt in 1940,…