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Folger Collections

Formal designs
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Formal designs

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Sarah Hovde

Did you solve last week’s crocodile mystery? It’s a sonnet! A visual representation of the phonetic structures of Shakespeare’s Sonnet No. XXIX, to be precise (rotated sideways to be extra-mysterious). The pattern was created by Marjory Bates Pratt in 1940,…

Chacolet
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Chacolet

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Alyssa Connell Marissa Nicosia

a Guest Post by Marissa Nicosia and Alyssa Connell Since we launched Cooking in the Archives in 2014 we’ve been looking for chocolate. We love chocolate, our friends and family who taste our recipes love chocolate, and we were pretty…

Purchases from the Robert S. Pirie Collection, Part 3: the manuscripts
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Purchases from the Robert S. Pirie Collection, Part 3: the manuscripts

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Elizabeth DeBold Heather Wolfe

In addition to the printed books and embroidered bindings described in last week’s post, the Folger also acquired 26 early modern manuscripts at the Robert S. Pirie sale at Sotheby’s (New York) in early December 2015. They should be arriving…

Purchases from the Robert S. Pirie Collection, Part 2: the printed material
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Purchases from the Robert S. Pirie Collection, Part 2: the printed material

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Caroline Duroselle-Melish

The Folger Shakespeare Library acquired 45 lots, 19 of them printed books, at the auction sale of the Pirie collection that took place on December 2–4, 2015, at Sotheby’s, New York (we’ve also put up the complete list of our…

Purchases from the Robert S. Pirie Collection, Part I
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Purchases from the Robert S. Pirie Collection, Part I

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Elizabeth DeBold

The latter portion of 2015 included a bit more excitement than usual around the Folger, as we gathered for several days in early December to feast (on popcorn, primarily), drink (coffee and tea), and engage in that most merciless of…

Photo-manual illustration
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Photo-manual illustration

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Erin Blake

As Jeff and Anthony commented on last week’s Crocodile Mystery, this picture is unusual because it is an engraved portrait copied from a photograph rather than from a drawing or painting. “Madame Celeste as the Princess Katherine.” Engraved by George Hollis from a daguerreotype by J.E.…

EMMO announces the launch of Shakespeare's World
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EMMO announces the launch of Shakespeare's World

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Paul Dingman Sarah Powell

There are thousands of manuscripts sitting quietly amongst the Folger’s ever-growing collection which Early Modern Manuscripts Online (EMMO) aims to transcribe. Earlier this year EMMO collaborated with Zooniverse, a hugely successful online crowd-sourcing platform, so that people all over the…

The Secret History (of a publication)
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The Secret History (of a publication)

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Abbie Weinberg

Yes. As our readers quickly reported, this month’s mystery image is the imprint on Procopius’s The secret history of the court of the Emperor Justinian. In fact, it is the imprint of the very first English translation of Procopius’s Secret work.…

Two film studios, alike in dignity...
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Two film studios, alike in dignity...

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Sarah Hovde

The Folger owns a variety of printed items related to the cinematic history of Shakespeare—screenplays and manuscript drafts, pressbooks and souvenir programs, and still photographs. Generally, there’s a good chance that we also have the related film recording in some…

“Extravagantly Large Paper”
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“Extravagantly Large Paper”

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Caroline Duroselle-Melish

While working on the exhibition “Age of Lawyers” (currently on view at the Folger Shakespeare Library), I came upon several interesting copies of Thomas Littleton’s Tenures, the first textbook written on English land law. There are five different copies of…

Doodles and Dragons
detail of drawings, showing the foppishly dressed man
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Doodles and Dragons

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Gail McMurray Gibson

A guest post by Gail McMurray Gibson, William R. Kenan Professor Emerita of English and Humanities, Davidson College. When the Macro Plays manuscript pages recently came out of the Folger vault for a day of conversation with scholars, curators, and…

What to do about the Macro manuscripts?
Manuscript leaf showing a drawing of a medieval stage.
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What to do about the Macro manuscripts?

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Kathleen Lynch

We thought we had the right question. Renate Mesmer (Head of Conservation), Heather Wolfe (Curator of Manuscripts), and I invited several scholars to the Folger for a lab-based discussion on “V.a.354: What to do about the Macro Manuscripts?” Specifically, the…

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