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Folger Collections

Signature statements in book cataloging
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Signature statements in book cataloging

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Erin Blake

Today’s post returns to the cliffhanger at the end of Tuesday’s Physical description in book cataloging overview: if , CXXII leaves : ill. ; 31 cm (fol.) forms a complete physical description in a library catalog, then what’s up with a4 A-O8 P10 and where does it fit…

Physical description in book cataloging
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Physical description in book cataloging

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Erin Blake

Does a4 A-O8 P10 make perfect sense to you? If so, please read on anyway. This isn’t a post on how to decode a collational formula. It’s a post about what to expect (and what not to expect) in the “physical description”…

District Merchants Costume Design
Folger Spotlight

District Merchants Costume Design

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Folger Theatre

District Merchants costume designer Meghan Raham previously designed the sets for the Folger Theatre productions of The Conference of the Birds and Romeo and Juliet. Learn about her design process for this “Uneasy Comedy” below, and join us for District Merchants starting May 31. Research and design sketches…

Unlocking An Early Modern Account Book
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Unlocking An Early Modern Account Book

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Author
Paul Dingman

The answer to last week’s Crocodile mystery is, as some of you guessed, £135 15s 0d (or 135 pounds, 15 shillings). This amount is a snippet of one entry made on a page in Folger MS V.b.308, the account book of…

Building a Replica of the John Wilkes Booth Diary
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Building a Replica of the John Wilkes Booth Diary

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Author
Austin Plann Curley

Guest Post by Folger conservator Austin Plann Curley “You can’t always get what you want.” So said the Rolling Stones in 1969. Such was the case for the Folger Shakespeare Library in our recent request to borrow the Diary of…

In Defense of the Card Catalog
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In Defense of the Card Catalog

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Abbie Weinberg

Whenever I am giving a tour of our Reading Rooms, or introducing a new Reader to our collection, I always make it a point to mention that we still have a card catalog room (two, in fact—one primarily for our…

How to plan a Shakespeare tercentenary
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How to plan a Shakespeare tercentenary

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Author
Sarah Hovde

The Folger has a wide assortment of commemorative material relating to Shakespearean celebrations—from David Garrick’s 1769 Shakespeare Jubilee, to tercentaries and quatercentenaries of Shakespeare’s birth (although no materials from the quatercentenary of his death quite yet)—but we hold very few…

Letter Scraps
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Letter Scraps

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Author
Abbie Weinberg

Yes, indeed. As several readers astutely figured out, this scrap of paper most likely bears the tail-end of the phrase “Sotheby sale.” As for why it’s in our collection? Well, part of that answer comes with one more piece of…

Musae Faciles; or, an Oxford Study Guide
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Musae Faciles; or, an Oxford Study Guide

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Nicholas Tyacke

A guest post by Nicholas Tyacke Back in 2008, on the eve of directing a Faculty Weekend Seminar at the Folger, on “The University Cultures of Early-Modern Oxford and Cambridge,” I took the opportunity to consult the card catalog of…

A monument more lasting than bronze
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A monument more lasting than bronze

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Sarah Powell

exegi monumentum aere perennius regalique situ pyramidum altius, quod non imber edax, non Aquilo inpotens possit diruere… (Odes III: XXX, lines 1-4, published 23BC)  I have built a monument more lasting than bronze, higher than the Pyramids’ regal structures, that…

Fallen Type
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Fallen Type

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Caroline Duroselle-Melish

Those of you who replied to the Crocodile post last week guessed right: what you see in this image is a piece of fallen type that was printed by accident over a page of text being printed. The height of…

Textual variants in Shakespeare's love letter to Anne Hathaway
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Textual variants in Shakespeare's love letter to Anne Hathaway

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Author
Heather Wolfe

When Shakespeare was young and in love, he wrote a gushing letter to his bride-to-be, enclosing with it a lock of his hair and five verses. Or that’s what an audacious teenager in the 1790s would have us all believe. The supposed love letter…

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