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Folger Collections

Collecting the world in seventeenth-century London
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Collecting the world in seventeenth-century London

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Surekha Davies 

Guest post by Surekha Davies  From at least the sixteenth century, overseas artifacts found their way into European princely and scholarly collections. There they were catalogued, analyzed, and displayed alongside natural and artificial curiosities from classical cameos to blowfish. I am…

Theatrical disturbances and actors behaving badly: what the Drury Lane Prompter’s Journal tells us about nineteenth-century theatrical life
Poison as reason for missing rehearsal
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Theatrical disturbances and actors behaving badly: what the Drury Lane Prompter’s Journal tells us about nineteenth-century theatrical life

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Sarah Burdett

Guest post by Dr. Sarah Burdett What was life like inside the nineteenth-century London theatre? How smoothly did performances run? And how professionally did actors behave? The Drury Lane Prompter’s Journal, 1812-1818, held at the Folger, provides an excellent resource…

News, News, News
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News, News, News

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Abbie Weinberg

How do you get your news today? TV? Radio? Printed newspapers? Online news sites? Social media? Today we seem to be inundated by the news 24/7 and it sometimes takes a conscious effort to step away from the barrage. News…

Time writing
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Time writing

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Deborah J. Leslie

Telescopium Uranicum, 1666. Folger 269- 460q item 5 Chronograms—literally, “time writing”—are dates embedded within text. As such, they are a form of hidden writing called steganography: the encoded characters maintain their own value, but are hidden within a larger text.…

Early modern legal violence: for the common good?
Image of stocks
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Early modern legal violence: for the common good?

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Sarah Higinbotham

A guest post by Dr. Sarah Higinbotham In a 1628 sermon preached before the Assize court at Oxford, Robert Harris reminds the “Sheriffes, Iustices, Iudges” that they have taken “an oath for the common good.” He reminds them that they…

Lost at Sea
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Lost at Sea

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Elizabeth DeBold

Shakespeare liked shipwrecks, including one in at least five of his plays. Sea storms and shipwrecks were a convenient way to separate characters or bring them into conflict, as well as stranding them in a strange place. In the “Age…

Dryden's Virgil, Ogilby's Virgil, and Aeneas's nose job
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Dryden's Virgil, Ogilby's Virgil, and Aeneas's nose job

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Erin Blake

First, a confession: this month’s Crocodile Mystery was originally going to pose a question along the lines of “What’s weird about this image?” or “What makes this picture especially interesting?” but I gave up. I couldn’t figure out how to…

A nineteenth-century family circus
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A nineteenth-century family circus

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Sarah Hovde

A few months ago, I wrote about the process of creating brief catalog records for the Folger’s playbill collection. Since then, I’ve completed records for playbills from London and all of Scotland, and have begun working my way through playbills…

Consuming the New World
Commonplace book
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Consuming the New World

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Misha Ewen

A guest post by Misha Ewen William Petre (1575-1637) was a typical gentleman of his time. He was 22 years old and newly married when he began keeping an account book of his household expenses. Between 1597 and 1610 Petre…

"Whose least part crackt, the whole does fly": early views on Prince Rupert's Drops
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"Whose least part crackt, the whole does fly": early views on Prince Rupert's Drops

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Abbie Weinberg

Honor is like that glassy Bubble That finds Philosophers such trouble, Whose least part crackt, the whole does fly, And Wits are crack’d to find out why. Samuel Butler, Hudibras, Part II, Canto II, lines 385-89. In the second part…

Black Monday: the Great Solar Eclipse of 1652
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Black Monday: the Great Solar Eclipse of 1652

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Elizabeth DeBold

In all the excitement of yesterday’s solar eclipse, you may have learned that eclipses are common: most calendar years have four eclipses (two solar and two lunar), with a maximum of seven eclipses (though this is rare).According to Time &…

Behind the Camera with Antony and Cleopatra
Folger Spotlight

Behind the Camera with Antony and Cleopatra

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emma poltrack

The sultry D.C. summer is winding down, but things are just heating up at Folger Theatre where we’re preparing for our first show of the season: Shakespeare’s Antony and Cleopatra. 

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