Folger Collections
A New Acquisition: from the workshop of the Naval Binder?
But upon the table—oh joy! the tailor gave a shout—there, where he had left plain cuttings of silk—there lay the most beautifullest coat and embroidered satin waistcoat that ever were worn by a Mayor of Gloucester. There were roses and pansies…
Polyglot Poetics: Transnational Early Modern Literature
A guest post by Dr. Nigel Smith I am writing a transnational history of early modern European literature. Our inherited history of the different early modern vernacular languages and their literatures was fashioned through the lens of the 19th-century and…
Was early modern writing paper expensive?
Many of us have repeated the assertion that writing paper in early modern England was expensive and scarce, but it has always bothered me. After hearing this fairly regularly in response to two common questions —“Why did people write on…
The Shakespeare stamps
As several philatelically-astute readers quickly identified, the portrait of Shakespeare shown in last week’s Crocodile mystery is from a stamp! These one shilling stamps were issued annually for a number of years at the turn of the 20th…
Books of Offices
A guest post by Nicholas Popper The Folger has fourteen of an odd, unloved sort of manuscript that I’ve taken to calling “Books of Offices,” which exist in over a hundred versions throughout archives in the US and UK. Typically…
Book Reviews from the Royal Society
Book reviews are a staple of many academic journals. They are a way to learn about new books in the field and to see what your fellow scholars think of them. And they’ve been around for a really long time.…
Bound to Serve: Apprenticeship Indentures at the Folger
A guest post by Dr. Urvashi Chakravarty In 1616, the apprentice Robert Dering received the following letter from his master Thomas Style. Letter from Thomas Style to Robert Dering Dering was bound overseas with one Mr. Culpepper, and in his…
The Case Files
The problem with using IDs in mysteries is we also attempt to make them easy to discover. Elisabeth Chaghafi got it in one: this number belongs to X.d.131 and marks this item as one of Henry and Emily Folger’s original…
Twentieth-century illustration technique revealed in a "snow Globe"
While looking through the Folger collection for snow scenes (it’s that time of year!) I stumbled across this image of Shakespeare’s Globe Theatre, drawn in the 1960s by C. Walter Hodges: C. Walter Hodges (1909-2004). The Second Globe Under Snow.…
Folger Collections related to Dramatic Performance
In hopes that we can help theater historians discover more about relevant Folger holdings through their own explorations, we have created this post on “named” collections at the Folger that relate to actors, dramatic performance, and the texts used by…
A Sophisticated Leaf
Henry V fragment. Photo by Elizabeth DeBold. There were several good guesses about this month’s Crocodile Mystery—a crease in the paper, or an off-center, pre-stamped envelope. But, Elisabeth Chaghafi was right on the money with her guess: this is a…
Collecting the world in seventeenth-century London
Guest post by Surekha Davies From at least the sixteenth century, overseas artifacts found their way into European princely and scholarly collections. There they were catalogued, analyzed, and displayed alongside natural and artificial curiosities from classical cameos to blowfish. I am…