Folger Collections

Yes, indeed. As many of you quickly identified, each of the images in this month’s mystery post contain at least one ligature. In fact, all of the images are from a single set of type: the Aldine italic that was…

When consulting a book with plates (that is, inserted leaves printed separately from the text), it is best not to assume that they have been placed in the same location in all copies of the same edition nor that their…

A guest post by Rebecca Laroche I began transcribing Folger manuscript V.a.681 because I recognized from the dealer’s description the name of a family, the Shirleys, and its house, Staunton Harold; I had previously found another book owned by another…

Good news, picture-seekers! If you’ve ever tried to search Luna for a picture of something specific, you’ve probably noticed that relatively few digital images match one-to-one with their source descriptions. For example, although a keyword search for “dog” will bring…

A guest post by Lauren Liebe There is nothing quite as exciting in archival research as stumbling upon an unexpected connection between two objects. When I called up L852 copy 3 and D2292, I had not realized that they shared…

Last week’s Crocodile showed a detail of a cancelled name on the title page of Folger STC 17132. Title page of Folger STC 17132 with Humphrey Dyson’s name deleted. Despite the parallel hatching that was used to conceal it, two…

Before we say good-bye to this extraordinary ‘Confection,’ explore how costume designer Karen Young created the look of this lavish feast for the senses.

A guest post by Katherine Walker The Folger houses many impressive texts and manuscripts. So much so, in fact, that it is easy to overlook the library’s equally vast and provocative collection of less illustrious genres. These texts will not…

A guest post by Chelsea Phillips With the cherry trees blooming (almost), the sun shining (sometimes), and tax season looming, there is no more delightful time to consider the vagaries of 18th-century theatrical accounting practice. The Folger Shakespeare Library holds…

John Lancaster’s guess for March’s crocodile post is correct: This catechism, printed in Basel by Andreas Gesner, has an STC number because it follows the use of Salisbury; it therefore belongs to the group of books not in English printed…

Milliner Adelle Gresock describes below how she created the fabulous chapeaux seen in ‘Nell Gwynn.’

Folger X.c.92 (3) is my new favorite manuscript: it’s a letter written in Paris that single-handedly demonstrates the fact that “new style” dates refer to two different calendar modernizations. One modernization has to do with the Christian calendar’s reckoning of…