Folger Collections
Balancing information and expertise: vernacular guidance on bloodletting in early modern calendars and almanacs
A guest post by Mary Yearl The first calendar printed as a book in Europe was also the first to contain a printed image of a bloodletting man.1 This point alone is indicative of the importance bloodletting played in medieval…
Collection Connections: ‘The Moor’s Account’
Rachel B. Dankert, Learning and Engagement Librarian, shares the Folger collection items she presented on February 4, 2021 as an introduction to ‘The Moor’s Account’ by Laila Lalami.
Fortune’s Fools: early tarot cards
As several of you guessed last week, this month’s crocodile mystery showed an early tarot card. When treating a copy of a 1673 edition of Vincent Reboul’s “Le Pelerinage de S. Maximin,” Folger conservators discovered two tarot cards used to…
This Post Stinks, or, ‘I hope that the stuff will not smell too vilely’
John Masefield has a burning question he needs answered. Literally. Writing from his home Hill Crest in Boar’s Hill, Oxford, the Poet Laureate asks theater production veteran Allan Wade a crucial question about staging his home theatrical production of Macbeth.1…
Using cardboard spacers to fill gaps on the shelf
Sometimes the simplest tools are the best. This post is a tribute to the humble hunk of folded cardboard.1 Cardboard spacer filling the gap on the shelf while two large volumes are in use. All photos are by me, Erin…
Collection Connections: ‘Hamnet’
Dr. Emma Poltrack shares the Folger collection items she presented on December 3, 2020 as an introduction to ‘Hamnet’ by Maggie O’Farrell.
The Art of the Prompt Book
Most library visitors to the Folger expect us to have books in our collections. Some know that we also have art, manuscripts, and even objects. Yet, any exploration into our collections means that researchers will inevitably encounter an item that…
Liverpool delft transfer-printed tiles; or, theatrical tiles explain’d
Thank you for all of your guesses on last week’s Crocodile Mystery! As several folks correctly surmised, this image is pigment on ceramic! Specifically, it is on a Liverpool delft transfer-printed tile, seen here in full: Jane Lessingham as Ophelia,…
Creating John Gregory’s Bas Reliefs at the Folger
Who carved the John Gregory’s bas reliefs on the facade of the Folger? Readers of last week’s Collation post will know that the apparently obvious answer—John Gregory—is incorrect. Sculptor John Gregory (1879–1958) definitely created the works of art, but professional…
Collection Connections: ‘License to Quill’
Rachel B. Dankert, Learning and Engagement Librarian, shares the Folger collection items she presented on November 5, 2020 as an introduction to ‘License to Quill’ by Jacopo della Quercia.
Idols of the Reformation
Thank you to all who weighed in on this month’s Crocodile Mystery! Many people recognize October 31, 1517 as a major milestone in the beginning of the Protestant Reformation—the date that it is said Martin Luther nailed his 95 Theses…
Introducing the Folger Reference Image Collection
Sometimes when people contact the Folger to ask questions about items in our collections, the easiest way to provide an answer is to take a quick photo of a particular detail. This has resulted in a growing collection of smartphone…