Skip to main content
All 194 posts on

Books

Books in the Folger collections
“Extravagantly Large Paper”
Collation

“Extravagantly Large Paper”

Posted
Author
Caroline Duroselle-Melish

While working on the exhibition “Age of Lawyers” (currently on view at the Folger Shakespeare Library), I came upon several interesting copies of Thomas Littleton’s Tenures, the first textbook written on English land law. There are five different copies of…

“Beloveed Plays”: A Sammelband of 1680s Quartos & Its Readers
Collation

“Beloveed Plays”: A Sammelband of 1680s Quartos & Its Readers

Posted
Author
Claire M. L. Bourne

A Guest Post by Claire M. L. Bourne A major fringe benefit of systematically going through so many books (1,300+) at the Folger last year, looking for typographic conventions and experiments, was encountering traces of use and reading that have…

An Example of Printed Visual Marginalia
right: image of eagle carrying away a wolf while a second wolf looks on; left: two separate images, one of a single wolf, the second of an eagle carrying off a wolf
Collation

An Example of Printed Visual Marginalia

Posted
Author
Caroline Duroselle-Melish

The Folger Shakespeare has recently acquired a copy of the 1706 English edition of the travel narrative A New Voyage to the North… (Folger 269- 090q), written by the French physician Pierre Martin de la Martinière (1637-1676?) and published posthumously…

A Pin's Worth: Pins in Books
Collation

A Pin's Worth: Pins in Books

Posted
Author
Caroline Duroselle-Melish

The object you see tucked in the gathering of the book in this month’s Crocodile Mystery is a pin. Recently, I have become aware of the presence of pins in a number of books at the Folger Shakespeare Library. At…

Marginal calculations; or, how old is that book?
Collation

Marginal calculations; or, how old is that book?

Posted
Author
Heather Wolfe

I’d like to make a pitch for recording a specific type of manuscript annotation in printed books and manuscripts: the “book age calculation.” These calculations turn up frequently on pastedowns and endleaves, and sometimes right in the middle of texts.…

A Renaissance best-seller of love and action
Collation

A Renaissance best-seller of love and action

Posted
Author
Caroline Duroselle-Melish

The Folger Shakespeare Library’s 26 copies of various editions of Lodovico Ariosto’s Orlando Furioso attest to its success during the 16th and early 17th centuries (a success that continued for much longer, but that is another story). See for example Exercices furieux: à…

"A superfluous luxury": the St. Dunstan illuminated editions
Collation

"A superfluous luxury": the St. Dunstan illuminated editions

Posted
Author
Sarah Hovde

If you’re a regular user of the internet, you probably saw a multitude of images posted for the Bard’s birthday a few weeks ago. I can almost guarantee, though, that few were as opulent as the contribution from the University…

Guten Tag! Como vai? Parlez-vous français?
Collation

Guten Tag! Como vai? Parlez-vous français?

Posted
Author
Abbie Weinberg

Spring is Conference Season for many academics, allowing us to travel far and wide for our academic and professional enrichment. Sometimes, we find ourselves traveling in places where the local language is not one of the ones we are most…

How an 18th-century clergyman read his Folio
Collation

How an 18th-century clergyman read his Folio

Posted
Author
Caroline Duroselle-Melish

The Folger Shakespeare Library has never acquired another copy of a Shakespeare Folio since the Folgers’ time—until now. We recently added number 38 to our collection of Fourth Folios (S2915 Fo.4 no.38). Published in 1685, this was the last of…

Correcting with cancel slips
Collation

Correcting with cancel slips

Posted
Author
Sarah Werner

correcting 4 lines (STC 25286; sig. 1r)Thanks to my last post, when Mitch Fraas and I were looking at how different copies of the same book handled having a printer error (Judas instead of Jesus, in that case), I’ve spent the…

Keeping your Jesus and Judas straight
Collation

Keeping your Jesus and Judas straight

Posted
Author
Mitch Fraas Sarah Werner

Co-written by Sarah Werner and Mitch Fraas One might think that when printing the New Testament, one would want to avoid at all costs mixing up Jesus and Judas. However, this month’s crocodile shows that such mistakes did happen: the typo…

Q & A: Caroline Duroselle-Melish, Curator of Early Modern Books and Prints
Collation

Q & A: Caroline Duroselle-Melish, Curator of Early Modern Books and Prints

Posted
Author
The Collation

In January, Caroline Duroselle-Melish joined the Folger as the new Andrew W. Mellon Curator of Early Modern Books and Prints, a position that gives her responsibility over books and prints through 1800. She has worked with a wide range of collections…

1 6 7 8 9 10 17