Skip to main content
All 194 posts on

Books

Books in the Folger collections
A book's fingerprints
Collation

A book's fingerprints

Posted
Author
Sarah Werner

Last week’s crocodile mystery may have been a bit too mysterious, but I hope that today’s post will inspire you to look for similar mysteries on your own. Here’s a close-up detail of what I was asking about: As with…

Dye to live, live to dye
Collation

Dye to live, live to dye

Posted
Author
Heather Wolfe Margaret Hannay

The Folger has recently acquired some interesting hybrid books; that is, books which consist of a mixture of thematically-connected printed, manuscript, and graphic material gathered from a variety of sources into a single binding. Sidney scholar and Folger reader Margaret…

From Stage to E-page: Theater Archives at the Folger Library
Collation

From Stage to E-page: Theater Archives at the Folger Library

Posted
Author
Georgianna Ziegler

The Folger Shakespeare Library in Washington, DC opened in 1932. It is representative of a private institution whose collections were very much shaped by the interest of its founders, Henry and Emily Folger. Fortunately for theater historians, the Folgers were…

Fore-edge paintings
Collation

Fore-edge paintings

Posted
Author
Erin Blake

Following up on Sarah’s What’s that? post from last week, full marks to everyone who said “fore-edge painting” (also acceptable, though less to the point, “1631 x 401 pixel digital image” and “Wilton House”). Here’s the same image, not cropped…

Spectral Imaging of Shakespeare's "Seventh Signature"
Collation

Spectral Imaging of Shakespeare's "Seventh Signature"

Posted
Author
Roger L. Easton, Jr.

A guest post by Roger L. Easton, Jr. One of the many treasures at the Folger Shakespeare Library is a copy of William Lambarde’s Archaionomia, a book on Anglo-Saxon law published in 1568 and acquired by the Library in 1938.…

Librarians gone wild: an alternative spring break
Collation

Librarians gone wild: an alternative spring break

Posted
Author
Sarah Wingo

A guest post by Sarah Wingo I am a student working towards my Masters of Science in Information from the University of Michigan’s School of Information (UM-SI).  I recently had the opportunity, along with six of my peers, to volunteer…

correcting mistakes
Collation

correcting mistakes

Posted
Author
Sarah Werner

In my last post, I wrote about my joy in finding printer’s errors and what we might learn from them about early modern printing. In this one, I want to look at some examples of what printers do to correct…

learning from mistakes
Collation

learning from mistakes

Posted
Author
Sarah Werner

One of my favorite categories of early modern books are those that show errors, small mistakes made in the process of printing them. a leaf that was folded when it was printed I don’t love them because I like to…

Women marking the text
Collation

Women marking the text

Posted
Author
Georgianna Ziegler

“I beegan, to ourloke this Booke . . . .”  These words are written by Lady Anne Clifford on the title page of her copy of John Selden’s Titles of Honor (1631), which is featured in the first case of…

Two ways of looking at the same book
Collation

Two ways of looking at the same book

Posted
Author
Sarah Werner

As I’ve written about before, in my Undergraduate Seminars students devote the bulk of their research time to crafting a biography of the book they’ve chosen as their primary focus. They find out who wrote the book and who printed…

Reduce, reuse, recycle
Collation

Reduce, reuse, recycle

Posted
Author
Sarah Werner

Did you think that “reduce, reuse, recycle” was just a modern slogan? Check out this early modern book: That’s an image of the front inside cover and front endleaf of a 1636 edition of Charles Fitz-Geffrey’s The blessed birth-day, which…

'Tis the season
Collation

'Tis the season

Posted
Author
Sarah Werner

For teachers, this is the season of grading; for students, this is the season of exam-taking and paper-writing. For some of you, both students and teachers, you get slammed on both sides (no matter how much you enjoy writing or…

1 14 15 16 17