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Books

Books in the Folger collections
Sizing books up
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Sizing books up

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Sarah Werner

A couple of weeks back I posted some images with the aim of destabilizing some of our assumptions about what early modern texts look like. In the mix was an image of a “big” book followed by a “tiny” one.…

It's the details thnt matter
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It's the details thnt matter

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Sarah Werner

There were two odd things happening in last week’s crocodile mystery, which featured an opening from the first English edition of Nicolàs Monardes’s Joyfull newes out of the newe founde worlde (STC 18005). The first was the easier to spot, assuming you…

Noticing the weirdness of texts
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Noticing the weirdness of texts

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Sarah Werner

Sometimes it’s fun just to look at books without worrying what they are and who printed them and what the text says. And sometimes, when you do that, you notice all sorts of ways in which they’re weird—they mix manuscript…

The Single Vine Leaf, aka the "Aldine Leaf"
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The Single Vine Leaf, aka the "Aldine Leaf"

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Goran Proot

I have always been a devotee of the “Aldine leaf”, even long before I knew its exact name or where it actually came from, and I am still delighted spotting it in early modern typography or when it is expertly…

Shakespeare's personal library, as curated by William Henry Ireland
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Shakespeare's personal library, as curated by William Henry Ireland

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Arnold Hunt Heather Wolfe

Co-written by Heather Wolfe and Arnold Hunt It’s every bibliophile’s dream. You’re in a bookshop, or maybe at a local auction, browsing idly along the shelves. It’s late in the afternoon and you’re just preparing to leave, when you spot a…

An alter'd case: An annotated copy of The Roaring Girl
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An alter'd case: An annotated copy of The Roaring Girl

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Victoria Myers

A guest post by Victoria Myers The marks in the book The reason that I found the Folger Shakespeare Library’s copy of The Roaring Girl especially interesting is because it is completely marked up. Most of these marks are corrections…

Annotating and collaborating
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Annotating and collaborating

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Author
Sarah Werner

This month’s crocodile mystery was, as Andrew Keener quickly identified, an image from Gabriel Harvey’s copy of Lodovico Domenichi’s Facetie and (Folger H.a.2): Gabriel Harvey’s heavily annotated copy of Facetie (fol. 1v-2r) There is a lot that could be said about Gabriel…

Ten copies of the “bad” 1640 Sonnets in good and bad shape
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Ten copies of the “bad” 1640 Sonnets in good and bad shape

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Author
Goran Proot

The Folger Shakespeare Library has ten copies of the second edition of Shakespeare’s sonnets (STC 22344). All ten copies of STC 22344 in a row Engraved portrait (fol. p1v) and the first title page (fol. *1r) from copy 1 The…

Looking like a book
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Looking like a book

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Author
Sarah Werner

Last month I wrote about a book—nay, a leaf of a book—and the secret histories it reveals about how it was made, from the growth of the tree that became the woodblock to the valleys and hills that formed during…

Learning to write the alphabet
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Learning to write the alphabet

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Heather Wolfe

Learning to write the alphabet is one of the first stages of writing literacy. For early modern English children, this meant first learning to read the letters of the alphabet (printed in black letter) from a hornbook. Hornbook. Folger Shakespeare Library…

Pen facsimiles of early print
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Pen facsimiles of early print

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Author
Sarah Werner

As the commenters on last week’s crocodile guessed, the mystery image showed writing masquerading as print or, to use the more formal term, a pen facsimile (click on any of the images in the post to enlarge them): pen facsimile…

Mors comoedia. A comedy a hundred years old brought to life again in 1726
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Mors comoedia. A comedy a hundred years old brought to life again in 1726

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Author
Goran Proot

Sheer chance is an important factor in research. Some sixteen years ago I was surveying a sammelband held at Antwerp University Library that contained 257 programs documenting theater performances in Jesuit schools in Flanders. For the results of this research,…

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