Introduction to the play
Family relationships are at the center of Henry IV, Part 1. King Henry IV and Prince Hal form one major father-son pair, with Henry in despair because Hal lives a dissolute life. The father-son pair of Hotspur (Lord Henry Percy) and his father, the Earl of Northumberland, is in seeming contrast; the king envies Northumberland “his Harry,” wishing he could claim the gallant Hotspur as his own. Meanwhile, Hal has entered into a quasi-father-son relationship with a disreputable but amusing knight, Sir John Falstaff.
Another strand of action centers on still more family relationships. Hotspur’s stand against Henry focuses on Hotspur’s brother-in-law, Mortimer. Mortimer, who fought against the Welsh magician Owen Glendower, was defeated and captured and has married Glendower’s daughter. King Henry pronounces Mortimer a traitor whom he will not ransom. Hotspur, in declaring war on Henry, sees himself as fighting for Mortimer, his wife’s brother.
The Folger Shakespeare
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… out
of this nettle, danger, we pluck this flower, safety.
—Hotspur
Act 2, scene 3, lines 9–10
… Thou seest I
have more flesh than another man and therefore
more frailty.
—Falstaff
Act 3, scene 3, lines 176–78
Henry IV, Part 1 in our collection
A selection of Folger collection items related to Henry IV, Part 1. Find more in our digital image collection
Essays and resources from The Folger Shakespeare
Henry IV, Part 1
Learn more about the play, its language, and its history from the experts behind our edition.
About Shakespeare’s Henry IV, Part 1
An introduction to the plot, themes, and characters in the play
Reading Shakespeare’s Language
A guide for understanding Shakespeare’s words, sentences, and wordplay
An Introduction to This Text
A description of the publishing history of the play and our editors’ approach to this edition
Textual Notes
A record of the variants in the early printings of this text
A Modern Perspective
An essay by Alexander Leggatt
Further Reading
Suggestions from our experts on where to learn more
Shakespeare and his world
Learn more about Shakespeare, his theater, and his plays from the experts behind our editions.
Shakespeare’s Life
An essay about Shakespeare and the time in which he lived
Shakespeare’s Theater
An essay about what theaters were like during Shakespeare’s career
The Publication of Shakespeare’s Plays
An essay about how Shakespeare’s plays were published
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Shakespeare Unlimited: Episode 157 Actor John Tufts was playing Hal in a production of Henry IV, Part 1 at the Oregon Shakespeare Festival. Every night, he would call Falstaff a “roasted Manningtree ox with the pudding in his belly.” Hal means…
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One of Shakespeare’s most moving love triangles isn’t romantic, it’s filial. The tension between Prince Hal and his two father figures fuels Shakespeare’s Henry IV and resonates throughout Henry V.
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Folger Theatre’s ‘1 Henry IV’ closes on Sunday. We celebrate the end of this “must-see” production by chatting with actor and fight choreographer U. Jonathan Toppo.
Lady Percy and Lady Mortimer in Henry IV, Part 1
In Henry IV, Part 1, Shakespeare created Lady Percy and Lady Mortimer out of the fragments of history, giving them voices that appeal freshly to us today.
Teaching Henry IV, Part 1
Use the Folger Method to teach Henry IV, Part 1. Become a Teacher Member to get exclusive access to lesson plans and professional development.
The Key to Getting ALL Students Understanding and Interpreting Complex Texts
The Key to Getting ALL Students Understanding and Interpreting Complex Texts
Free resource
Early printed texts
Henry IV, Part 1 was first published in a quarto in 1598. There is only an 8-page fragment of a single copy of its first printing (Q0, now held at and digitized by the Folger), although complete copies of an edition printed later the same year (Q1) survive. Q1 is the basis for the five quartos that follow—this was a very popular play. The play was included in the 1623 First Folio in a text that was based on Q5, although it introduced act and scene divisions and changed some stage directions. Most modern editions, including the Folger edition, follow Q1 for their text.
