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Collection highlights

Each "Collection highlight" page explores a specific item in the Folger collections.
The Trevelyon Miscellany
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The Trevelyon Miscellany

Thomas Trevelyon’s hand-drawn 1608 miscellany depicts a wide array of subjects, such as English and Scottish rulers, biblical stories, and embroidery patterns.

Anne of Cleves's Book of Hours
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Anne of Cleves's Book of Hours

Anne of Cleves gifted her husband, King Henry VIII, this illustrated prayer book.

A “Foure-Footed Beaste”
Full page horizontal woodcut headed
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A “Foure-Footed Beaste”

Edward Topsell’s 1607 bestiary depicts grisly creatures, both actual and mythical.

Paul Robeson as Othello
Black man wearing green full-length outer garment with bell sleeves over tan full-length tunic. Hand-written annotations included
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Paul Robeson as Othello

Paul Robeson’s 1943 appearance as Othello had the longest run to that time of any Shakespearean production on Broadway.

Fanny Kemble costume design
Faceless image of a woman with brown hair covered by a mantilla and wearing a strand of white beads. Her dress is blue and tan; the ¾ sleeves have rosettes at the shoulder and elbow.
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Fanny Kemble costume design

This costume design was for popular early 19th-century British actress Fanny Kemble’s role as Desdemona in Othello.

Edwin Booth as Richard III
Costume worn by Edwin Booth in the role of Richard III
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Edwin Booth as Richard III

This costume was worn by 19th-century actor Edwin Booth, brother of John Wilkes Booth, for his role as Richard III.

Sangorski’s Songs and Sonnets
Title on white background with a gold vine-leaf design in the upper right corner opposite a large, decorated letter “S.” Oval portrait of bearded European man with a receding hairline wearing a gold hoop earring in his left ear and a deep blue coat with a white collar. Two nude cherubs with blue wings recline on opposite sides of lower corners of the page. The surrounding background is a blue and purple, trailing floral vine.
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Sangorski’s Songs and Sonnets

Alberto Sangorski’s manuscript book of Shakespeare’s songs and sonnets features beautiful calligraphy and gold-leaf illuminations, created in 1926.

A censored Second Folio from Valladolid
Page is divided into 3 sections. Many words and phrases in top half of page are crossed out in black ink. Bottom half of page contains epilogue and a scrollwork triangular shaped printer’s device. Two yellow spots stain the Epilogue.
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A censored Second Folio from Valladolid

An official of the Spanish Inquisition crossed out passages from Shakespeare’s play Henry VIII that use imagery evocative of the Virgin Mary to describe Elizabeth I.

Folger First Folio 1
Title page with engraved portrait of Shakespeare in the middle. Text printed above it reads
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Folger First Folio 1

An inscription from 1623 records this book as a gift from the First Folio’s printer, William Jaggard.

Umberto Romano: Shakespeare recites Shakespeare
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Umberto Romano: Shakespeare recites Shakespeare

This 1960s oil painting by the American artist Umberto Romano depicts William Shakespeare.

Francesco Zuccarelli: Macbeth meeting the witches
Landscape mounted in a heavily ornate gilt rectangular frame, painting is very dark. Small figures in foreground of painting, including a figure in white, and in the lower corner. A white house is in the distance on the right and opposite a grove of trees. Both sit on a hill and are illuminated by light beyond the hillside.
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Francesco Zuccarelli: Macbeth meeting the witches

This 18th-century oil painting by Francesco Zuccarelli depicts a scene from Shakespeare’s Macbeth.

Blackfriars Gatehouse Deed
The copy of bargain and sale signed by the vendor when Shakespeare purchased the Blackfriars Gatehouse in London in 1613
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Blackfriars Gatehouse Deed

This manuscript is Shakespeare’s copy of his deed of purchase of the Blackfriars gatehouse in 1613.

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