printing

In this solution to our September Folger Mystery, Erin Blake explains the reason for the blank pages in Folger STC 14933

Originally, I was going to do a crocodile post about the binding of this architecture book by Jacques Androuet du Cerceau: Title page of Folger NA2625 .A63 1615 Cage Photo by Caroline Duroselle-Melish But after I thought about it, it…

Do you despair when when you hear “decimate” used to describe a reduction of more than ten percent? Does seeing the caption “Big Ben” on a souvenir postcard showing a London clock tower rather than the largest bell within it make you cringe? If so, heed this warning: never use the phrase…

Those of you who replied to the Crocodile post last week guessed right: what you see in this image is a piece of fallen type that was printed by accident over a page of text being printed. The height of…

John Ward’s sixteen notebooks, once they are fully transcribed for EMMO, are going to be an incredibly rich source for nearly everyone who thinks about or studies early modern England. Most people have heard about them because of John Ward’s…

From 1648 to 1653 a civil war, known as the Fronde, raged in France, with the nobility and most of the people of France on one side, and the royal government under the child-king Louis XIV and his hated chief…

correcting 4 lines (STC 25286; sig. 1r)Thanks to my last post, when Mitch Fraas and I were looking at how different copies of the same book handled having a printer error (Judas instead of Jesus, in that case), I’ve spent the…

Simran Thadani’s wild guess for the December Crocodile Mystery, backed up by Martin Antonetti and Deborah J. Leslie, is our winner. This month’s image is a close-up of the lower right edge of a mezzotint engraving. The lines that look…

title page for Fertel, La science pratique de l’imprimerie In 1723, a Frenchman named Martin-Dominque Fertel published a book on printing, La science pratique de l’imprimerie. It’s good to look at early printing manuals, especially when one is trying to…

There were two odd things happening in last week’s crocodile mystery, which featured an opening from the first English edition of Nicolàs Monardes’s Joyfull newes out of the newe founde worlde (STC 18005). The first was the easier to spot, assuming you…

Last month’s post from me (your friendly neighborhood art historian) looked at trial proofs and progressive proofs (see Proof prints, part one). As promised, here’s a look at a third kind of proof in printmaking: proofs that aren’t really “proofs” as…

Last time I posted on The Collation (Two disciplines separated by a common language, 30 April 2013), I went off on a bit of a rant about vocabulary barriers between printed pictures and printed words. Guess what? There’s more! That…