ownership marks
The art of dying
a guest post by Eileen Sperry For early modern English Christians, dying was an art form. The bestseller list of the sixteenth and early seventeenth centuries, had there been one, would have been topped by some of the period’s many…
Early women buying books: the evidence
In 1684, Bridget Trench bought herself a copy of the Rev. Samuel Clarke’s General Martyrologie, a collection of biographies of those who had been persecuted for their beliefs in the history of the church in England. Samuel Clarke, General Martyrologie…
A Dictionary for Don Quixote
A guest post by Kathryn Vomero Santos For scholars interested in the history of translation and language learning in early modern England, signs of use in books designed to teach their users how to read, speak, or write in another…
Book Stamps
Many thanks for your guesses. Folger Shakespeare Library, 218- 045q (photo by Caroline Duroselle-Melish) What you see in this picture is the verso of a title page leaf. The stamp at the top of the picture is indeed the one…
Uncancelling the cancelled: recovering obliterated owners of old books
Last week’s Crocodile showed a detail of a cancelled name on the title page of Folger STC 17132. Title page of Folger STC 17132 with Humphrey Dyson’s name deleted. Despite the parallel hatching that was used to conceal it, two…
Written in the Margent: Frances Wolfreston Revealed
A guest post by Sarah Lindenbaum “And what obscured in this fair volume lies / Find written in the margent of his eyes” (Romeo and Juliet, 1.3.87–88) Recently, two Shakespeare quartos held by the Folger Shakespeare Library were determined to…
Unwanted doodles in a Shakespeare quarto
Our new curator of early modern books and prints, Caroline Duroselle-Melish, and I were up in the conservation lab a few days ago, consulting with book conservator Adrienne Bell on the optimal opening for safely digitizing a quarto edition of…