illustrations
A Renaissance best-seller of love and action
The Folger Shakespeare Library’s 26 copies of various editions of Lodovico Ariosto’s Orlando Furioso attest to its success during the 16th and early 17th centuries (a success that continued for much longer, but that is another story). See for example Exercices furieux: à…
Mezzotint!
Simran Thadani’s wild guess for the December Crocodile Mystery, backed up by Martin Antonetti and Deborah J. Leslie, is our winner. This month’s image is a close-up of the lower right edge of a mezzotint engraving. The lines that look…
Four states of Shakespeare: the Droeshout portrait
So the mysterious eye of this month’s crocodile belongs to no other than Shakespeare, as some readers immediately recognized: Droeshout’s engraving of Shakespeare on the title page of the First Folio More specifically, it is Shakespeare’s left right eye as depicted…
A practical look at the Practical Science of Printing
title page for Fertel, La science pratique de l’imprimerie In 1723, a Frenchman named Martin-Dominque Fertel published a book on printing, La science pratique de l’imprimerie. It’s good to look at early printing manuals, especially when one is trying to…
Two disciplines separated by a common language
I should have seen it coming when the Art History professor and the English professor started talking with each other about “print culture” (names omitted to protect reputations). It soon became clear that one had been talking about the circulation…
Secret histories of books
This month’s crocodile mystery was a bit more challenging than recent ones (perhaps not helped by my cryptic “suitable for April” introduction), but Aaron Pratt guessed the gist of it: the image was a detail of a page printed in…
Myth-busting early modern book illustration, part two
The last round of book illustration myth-busting looked at how copper plates wear out (and how they don’t wear out). This time, I’d like to take a bucket of archival research and dump it on a related myth. How many…
Colored print or color print?
Consider the following physical description in Hamnet, the Folger’s online catalog (it’s for an edition of Anna Jameson’s Characteristics of women, also published as Shakespeare’s heroines): xl, 340 p., leaves of plates : col. ill. ; 28 cm. The first…
News of St. Bartholomew's Day, 1572
When the Swann Auction Gallery catalog for the March 15 sale crossed my desk, I flipped through as usual, looking for things that might fit the Folger’s collection development policy. I wasn’t paying too much attention, since it was primarily…
Woodcut, engraving, or what?
When a reader needs to verify the printmaking technique behind an early modern book illustration, I’m always happy to grab my favorite 10x loupe and head up to the Reading Room to have a closer look. By popular request, here…