heraldry

Yes, indeed. The letters in this month’s mystery image are B, O, and G, and they represent what is missing from the image: color!  The mystery image is a detail of a coat of arms in Folger MS V.b.256, which…

Last week’s Crocodile was a jumble of household instruments with numbers next to them. As our first commenter, Katie Will, correctly guessed, the detail was from the table of contents of a type of heraldic manuscript known as an Ordinary.…

As I was answering a reference question yesterday relating to heraldic funeral processions in Folger MS V.a.447—a heraldic miscellany written by John Guillim shortly after he was made Portsmouth Pursuivant of Arms—my eyes snagged on a subsection near the end titled, “The names of…

John Guillim’s partial manuscript draft of A Display of Heraldry (ca. 1610) was featured in our recently closed exhibition, “Symbols of Honor: Heraldry and Family History in Shakespeare’s England.” We showed an opening depicting “Fishes skynned” and “Crusted fishes” and compared…

A guest post by Nigel Ramsay For many visitors to the Folger’s Heraldry exhibit, “Symbols of Honor,” the stars will be the three original draft grants on paper of Shakespeare’s coats of arms. These belong to the English heralds’ long-established…

In recent months, the Folger Shakespeare Library added a rare emblem book to its holdings, a thin quarto bound in pasteboards holding 24 unnumbered leaves . The emblem book presents itself as a “new year’s gift” containing 13 engravings: one coat…

Have a look at the coat of arms worn by Edwin Booth (1833–1893) in the title role of Shakespeare’s King Richard III. Notice something wrong? Richard III tunic worn by Edwin Booth in the 1870s. Hint: The conventions Victorian aesthetics…

The sixteenth and seventeenth centuries were a period of major transition for English heralds, as the number of arms being granted increased exponentially, requiring improved methods of record-keeping. Their job was both ceremonial (ordering and keeping score at tournaments, ordering…