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continental books

A catchy Italian design
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A catchy Italian design

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Goran Proot

In 1629 Agostino Mascardi’s Italian story about the conspiracy of Count Giovanni Luigi de Fieschi was published—according to a statement on the engraved title page only suggesting an imprint—in an unspecified Antwerp printing shop. Because of that, the edition is…

V and U in 17th-century Flemish book imprints
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V and U in 17th-century Flemish book imprints

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Goran Proot

In my last blog post I discussed the use of “V” and “U” in titles on title pages of 17th-century books published in Flanders. For this blog post I surveyed two extra elements which often appear on title pages as…

V and U in 17th-century Flemish book titles
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V and U in 17th-century Flemish book titles

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Goran Proot

For many years bibliographers in Flanders have been speculating about the use of “V” in the place of “U” on title pages of early modern hand-press books. For the occasion of this blog post, I decided “TO TAKE VP THE GAVNTLET” in…

“Très-humblement”: Tracing the mysteries of a 1602 Dutch pamphlet
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“Très-humblement”: Tracing the mysteries of a 1602 Dutch pamphlet

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Goran Proot

For more than a year now I have been working with volunteers on the Flemish holdings in the Folger. I reported on this project at the annual international conference of Sixteenth Century Society and Conference in San Juan, Puerto Rico,…

Fingerspitzengefühl
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Fingerspitzengefühl

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Goran Proot

Just like “Fernweh”—the opposite of “Heimweh” or one’s longing for distant countries—the German word “Fingerspitzengefühl” is almost impossible to translate. Literally it refers to the sensitivity of one’s fingertips and it expresses an accurate knowledge or a delicate feeling that…

"Printed at Antwerp the fiue and twenty day of March"
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"Printed at Antwerp the fiue and twenty day of March"

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Goran Proot

This title page shows a strange combination of typographical features and language. Strange, at least, for someone who has seen a lot of title pages printed or published in Antwerp, and probably less so for people who are mainly dealing…

"Wherein True Bliss is Buried": A Tragi-Comedy for the Prince of Poland, Brussels 1624
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"Wherein True Bliss is Buried": A Tragi-Comedy for the Prince of Poland, Brussels 1624

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Goran Proot

In the fall of 1960 an auction catalog was delivered to the Acquisitions Department of the Folger Shakespeare Library in which the following small typewritten notice was enclosed: The typewritten note from Sotheby’s The auction catalog was from Sotheby’s and…

The Single Vine Leaf, aka the "Aldine Leaf"
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The Single Vine Leaf, aka the "Aldine Leaf"

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Goran Proot

I have always been a devotee of the “Aldine leaf”, even long before I knew its exact name or where it actually came from, and I am still delighted spotting it in early modern typography or when it is expertly…

Annotating and collaborating
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Annotating and collaborating

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Sarah Werner

This month’s crocodile mystery was, as Andrew Keener quickly identified, an image from Gabriel Harvey’s copy of Lodovico Domenichi’s Facetie and (Folger H.a.2): Gabriel Harvey’s heavily annotated copy of Facetie (fol. 1v-2r) There is a lot that could be said about Gabriel…

Mors comoedia. A comedy a hundred years old brought to life again in 1726
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Mors comoedia. A comedy a hundred years old brought to life again in 1726

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Goran Proot

Sheer chance is an important factor in research. Some sixteen years ago I was surveying a sammelband held at Antwerp University Library that contained 257 programs documenting theater performances in Jesuit schools in Flanders. For the results of this research,…

Opening Ornamental Initials
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Opening Ornamental Initials

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Goran Proot

During the last couple of months at the Folger, we have come across a number of exceptional ornamental initials in Flemish imprints, as we are processing these systematically together with two interns. Bettie Payne and Amanda Daxon were trained to make…

An important auction
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An important auction

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Goran Proot

broadside advertising a 1617 auction (click to enlarge in a new window/tab) Let it be known that amongst the furniture of the late Duke of Aerschot, there are about 2000 paintings in all kinds of colors by a variety of excellent…

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