Richard III

Austin Tichenor explores how the shift of a narrative’s perspective can offer answers to questions about which characters deserve redemption and our forgiveness, from Lear to Iago to Richard III.

Austin Tichenor argues for the importance of casting disabled actors as Richard III, spotlighting Chicago Shakespeare Theater’s production with Katy Sullivan in the title role.

The disabled body of Richard III, a historical English king and one of Shakespeare’s most iconic villains, is the focus of a recent book by Jeffrey R. Wilson.

Shakespeare’s play Richard III turns real people into fictional villains, as does a new movie about the search for Richard III’s remains, writes Austin Tichenor.

Marking the anniversary of actor Edwin Booth’s birth on November 13, 1833, we explore a stunning historical costume from the Folger collection: an embroidered-velvet tunic that Booth wore onstage as King Richard III.

“My kingdom for a horse!” A titanic villain in Shakespeare’s history plays, Richard III departs the stage and this life at the Battle of Bosworth Field. Mark the battle’s anniversary with these posts and podcast episodes.

What did Richard III and his disability represent to Shakespeare’s original audiences? And how has this Shakespeare villain shaped the field of early modern disability studies today? Katherine Schaap Williams takes a closer look at these questions in the below…

  Richard III, act 5 scene 3, in the tent, Richard asleep, ghosts of persons he had murdered. Painted by J. Opie, R.A. ; engraved by W. Sharp. Published 1794. Folger Shakespeare Library. Nightmares and ominous dreams are used to…

Edward Topsell. The historie of foure-footed beastes. 1607. FOLGER STC 24123 copy 1 While the global population of European hedgehogs (Erinaceus europaeus) is stable, their numbers have been rapidly declining in the UK for decades, especially in rural areas. This…

Kimberly Gilbert as Richard III. Photo by Brittany Diliberto. Bootleg Shakespeare is not your typical night at the theater: The actors show up on the day of the performance with only their lines memorized; after a few hours of rehearsals,…

Artist Paul Glenshaw writes about drawing the bas-relief of Richard III by sculptor John Gregory on the front of the Folger Shakespeare Library building.

With a US audience of tens of millions in its TV release at the same time it was released in American theaters, Laurence Olivier’s film “Richard III” (1955) has left a lasting, sometimes hilarious, legacy in pop culture, from Peter…