Which Shakespeare plays are onstage this month? We check in with our theater partners Chicago Shakespeare Theater, Atlanta Shakespeare Company, Shakespeare in Detroit, Chesapeake Shakespeare Company, Commonwealth Shakespeare Company, Gamut Theatre, The Old Globe, and Oregon Shakespeare Festival. We’ve also included a few plays that aren’t straight Shakespeare, but are in someway related to his life or famous Shakespeare actors like Edwin Booth and Ira Aldridge. Keep reading to see photos from different productions.
Chicago Shakespeare Theater has Love’s Labor’s Lost onstage through Mar 26. Director Marti Maraden shares some of her thoughts about the play in this Q&A:
I think that this play is fundamentally about two things. Learning is expressed in so many different ways: knowledge, erudition, being smart, learning, going to school. The four men in setting up their academe are well intentioned—and not entirely foolish. The idea of learning is certainly not a bad thing—it’s just the way they intend to go about it that is so against the nature of their youth. The play asks us to think about what is real learning and real knowledge? In this single play, Shakespeare gives us many different examples of how knowledge can be either shallow and fruitless or can be knowledge that actually leads to something rich in human experience. If you don’t understand your own heart, your own place and journey in life, then all the book learning in the world will mean nothing. Words get used to excuse bad behavior. Words get used to hurt, to punish, to mock other people.
Another great theme in this wonderful, giddy play is about growing up, about maturity. Near the very end, the shadow of death passes over the world of the play, and at that point the men only just begin to understand that they must take that step toward real responsibility and maturity, and the women lead the way.
Four of our other theater partners staged Love’s Labor’s Lost last summer. See photos from four different takes on the play, from jazzercise to a Rococo garden.
This video shows a montage from the Chicago production:
Chicago Shakespeare Theater also has a “Short Shakespeare!” abridged production of Romeo and Juliet running through Mar 25.
Shakespeare in Detroit opens its fourth season with Henry V, staged at a historic Detroit property, a Tudor home built in the early 1900s. Performances, which are sold out, will take place Mar 23-26 in the mansion’s ballroom, with an ornate chandelier overhead.
Chesapeake Shakespeare Company’s The Taming of the Shrew opens Mar 17 and runs through Apr 9. Related events include a conversation about women in early modern England and a book chat about Vinegar Girl, Anne Tyler’s re-imagined The Taming of the Shrew for the Hogarth Shakespeare series.
Commonwealth Shakespeare Company in Wellesley, MA, presents the world premiere of Our American Hamlet, Mar 23-Apr 2. The play, written by Jake Broder, is “based on the true story of Edwin Booth, the leading Shakespearean actor of his day and the brother of John Wilkes Booth. Less than one year after President Abraham Lincoln’s assassination by John Wilkes Booth, Edwin decided to perform Hamlet on Broadway, a role he had performed in the past to great acclaim.” But would the crowd hold him accountable for the crimes of his brother? These photos are from first rehearsals of Our American Hamlet.
At Oregon Shakespeare Festival, you can see Julius Caesar, Shakespeare in Love, and Henry IV, Part 1, onstage through late October.
Gamut Theatre is staging an educational production of Romeo and Juliet, Mar 17-Mar 26.
The Atlanta Shakespeare Company at the Shakespeare Tavern Playhouse is performing Much Ado About Nothing, which runs through Mar 26.
The Old Globe in San Diego is staging Red Velvet, Mar 25-Apr 30. If you haven’t heard of this play by Lolita Chakrabarti: “This stirring drama transports audiences to the turbulent backstage world of London’s Theatre Royal in the early 1800s. Edmund Kean, the greatest actor of his generation, can’t go on tonight as Othello, and his company is in disarray. A young American actor named Ira Aldridge arrives to step into the role—but no black man has ever played Othello on the English stage.”
Chicago Shakespeare Theater, Atlanta Shakespeare Company, Shakespeare in Detroit, Chesapeake Shakespeare Company, Commonwealth Shakespeare Company, Gamut Theatre, The Old Globe, and Oregon Shakespeare Festival are all theater partners of the Folger Shakespeare Library.
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