Skip to main content
104 results from Shakespeare and Beyond on

Shakespeare in the world

Celebrating a spectacular Fourth with Folger exhibitions
Shakespeare and Beyond

Celebrating a spectacular Fourth with Folger exhibitions

Posted
Author
Shakespeare & Beyond

On display: A letter from Abigail Adams and other extraordinary American items help celebrate the Fourth of July.

“Speak what terrible language you will”: Shakespeare and TikTok
Shakespeare and Beyond

“Speak what terrible language you will”: Shakespeare and TikTok

Posted
Author
Austin Tichenor

Austin Tichenor on whether TikTok, like Shakespeare, is adding new words and phrases.

Order It: "Sermons in stones" from As You Like It
Text of the
Shakespeare and Beyond

Order It: "Sermons in stones" from As You Like It

Posted
Author
Shakespeare & Beyond

Shakespeare’s phrase “sermons in stones” is from a speech in As You Like It. Take this quiz to see if you can correctly order the lines.

A touch of Shakespeare in new Folger spaces
Aluminum figure of Puck on a fountain at the Folger Shakespeare Library
Shakespeare and Beyond

A touch of Shakespeare in new Folger spaces

Posted
Author
Esther Ferington

Explore the new landscape and public spaces of the Folger Shakespeare Library to find touches of Shakespeare and the early modern age in which he lived.

“All I Want For Crispin’s:” Mya Gosling’s Shakespearean Holiday Songbook
Shakespeare and Beyond

“All I Want For Crispin’s:” Mya Gosling’s Shakespearean Holiday Songbook

Posted
Author
Austin Tichenor
Combating Shakespearean shrinkage
Shakespeare and Beyond

Combating Shakespearean shrinkage

Posted
Author
Austin Tichenor
“I Want It That Way”: Rosaline & Juliet
Cast in & Juliet
Shakespeare and Beyond

“I Want It That Way”: Rosaline & Juliet

Posted
Author
Austin Tichenor

“In both ‘Rosaline,’ a charming teen romcom streaming on Hulu, and ‘& Juliet,’ a splashy new musical making its Broadway debut this week, Shakespeare’s tragedy becomes a surprising springboard for music, comedy, and investigations into narrative ownership,” writes Austin Tichenor.

“Worthy service": The Tempest-uousness of The White Lotus
Natasha Rothwell and Murray Bartlett in The White Lotus
Shakespeare and Beyond

“Worthy service": The Tempest-uousness of The White Lotus

Posted
Author
Austin Tichenor

HBO’s Emmy-winning “The White Lotus” transforms Shakespeare’s “The Tempest” into a darkly funny satire of the hospitality industry, writes Austin Tichenor.

Adapting Shakespeare's 'Antony and Cleopatra' for opera
Amina Edris as Cleopatra in Antony and Cleopatra
Shakespeare and Beyond

Adapting Shakespeare's 'Antony and Cleopatra' for opera

Posted
Author
Lucia Scheckner

Get an insider’s look at adapting a Shakespeare play for opera with this blog post by the dramaturg and libretto consultant for the new John Adams opera of “Antony and Cleopatra.”

“I do fear thy nature”: Kim Wexler and echoes of 'Macbeth' in 'Better Call Saul'
A man and woman sitting on a bed apart from each other in Better Call Saul
Shakespeare and Beyond

“I do fear thy nature”: Kim Wexler and echoes of 'Macbeth' in 'Better Call Saul'

Posted
Author
Austin Tichenor

Austin Tichenor draws comparisons between Kim Wexler and Lady Macbeth, unpacking Shakespearean themes in the “Better Call Saul” series.

Sometimes the old tropes are the best tropes: Shakespeare and Our Flag Means Death
Two pirates on board a ship in Our Flag Means Death
Shakespeare and Beyond

Sometimes the old tropes are the best tropes: Shakespeare and Our Flag Means Death

Posted
Author
Melissa Rohrer

Melissa Rohrer explores how “Our Flag Means Death,” a show inspired by the true story of the early 18th-century “Gentleman Pirate” Stede Bonnet, draws on character types and narratives that Shakespeare used frequently across many of his plays, while breathing…

Bothered by madness: 'Hamlet' and 'The Northman'
Alexander Skarsgård in The Northman
Shakespeare and Beyond

Bothered by madness: 'Hamlet' and 'The Northman'

Posted
Author
Austin Tichenor

Robert Eggers’s “The Northman” is not an adaptation of “Hamlet,” but a film in conversation with Shakespeare’s play, Austin Tichenor writes.

1 2 3 9