How Ophelia is represented in nineteenth-century English art
Victorian artists in England painted many portraits of Ophelia, including this one from 1889 by John William Waterhouse.
Shakespeare in Argentina
In Argentina, political turmoil and economic problems are key features in Shakespeare productions, as the country grapples with post-dictatorship culture.
Barbara Mowat on editing Shakespeare
Editing Shakespeare’s works is a complex process, explains Barbara Mowat, who with Paul Werstine edited the Folger Shakespeare Library editions.
Art to enchant: Shakespeare and Victorian illustration
Illustrated editions of the Complete Works would have been the first encounter with Shakespeare that many Victorian readers would have had.
Cleopatra and Fake News: How ancient Roman political needs created a mythic temptress
The Roman distaste of powerful women, their misunderstanding of the Egyptian way of life, and Octavian’s political need to consolidate his rise to dictator created our image of Cleopatra today.
Thomas Nashe: A dominant literary voice in Elizabethan England
We are used to thinking of Elizabethan (and Jacobean) literature with Shakespeare at the center, but evidence suggests that, although Shakespeare was considered an important writer in the last decade of the queen’s reign, Thomas Nashe was one of the…
Shakespeare and the American Revolution
By the time the first battles of the American Revolution took place in 1775, Shakespeare had been imported from England on stage and page to the New World.
Shining a light on the other playwrights of Shakespeare's day
A Digital Anthology of Early Modern English Drama (EMED, for short) is a large, searchable digital resource on the hundreds of commercial plays by the other authors of Shakespeare’s time—including dozens of newly edited play texts.
Shakespeare, ecology, and the environment
What does Shakespeare say about ecology and its politically engaged cousin environmentalism? Neither term appears in his work—unsurprising since they hadn’t been coined yet.
Lady Mary Wroth and 'The Countess of Montgomery's Urania'
Lady Mary Wroth watched Shakespeare act in his own plays, heard her relative Sir Walter Raleigh talk about founding Virginia, and almost certainly met Pocahantas and ambassadors from Morocco. Wroth’s later prose fiction echoes elements of her own life, including…
Kim Hall: Bringing African American experiences to Shakespeare
Paul Robeson was the first modern African American to perform Shakespeare—to perform Othello, and he talks in his letters and in his essays about bringing his experiences as a student in a white arena, his experiences with racism, to the…
Coat of arms discovery yields new insights into Shakespeare
Dig deeper into one of the biggest Shakespeare stories of 2016: the discovery of previously unknown depictions of Shakespeare’s coat of arms. Folger Curator of Manuscripts Heather Wolfe and Folger Director Michael Witmore elaborate on the significance of those discoveries…