Skip to main content

Holiday Hours: The Folger is closing at 4:30pm on Dec 24 and Dec 31. We are closed all day on Dec 25 and Jan 1.

17 results from Shakespeare and Beyond on

Animals

Birds of Shakespeare: The great cormorant
great cormorant
Shakespeare and Beyond

Birds of Shakespeare: The great cormorant

Posted
Author
Missy Dunaway

In his plays Shakespeare deploys the cormorant as a symbol of insatiable hunger and gluttony, drawing also on the bird’s reputation as a portent of doom and evil.

Birds of Shakespeare: The ring-necked pheasant
Shakespeare and Beyond

Birds of Shakespeare: The ring-necked pheasant

Posted
Author
Missy Dunaway

Artist Missy Dunaway explores references to the pheasant in “The Winter’s Tale” on her bird-watching expedition through Shakespeare’s works.

Birds of Shakespeare: The kingfisher
kingfisher painting
Shakespeare and Beyond

Birds of Shakespeare: The kingfisher

Posted
Author
Missy Dunaway

Artist Missy Dunaway explores references to the kingfisher in two Shakespeare plays, King Lear and 1 Henry VI.

Birds of Shakespeare: The golden eagle
eagle objects
Shakespeare and Beyond

Birds of Shakespeare: The golden eagle

Posted
Author
Missy Dunaway

With the golden eagle, we continue following artist Missy Dunaway on a bird-watching expedition through Shakespeare’s works. The eagle soars throughout Shakespeare’s world, Renaissance literature, and beyond – symbolizing strength, power, and the divine.

Birds of Shakespeare: The Eurasian blackbird
blackbird painting
Shakespeare and Beyond

Birds of Shakespeare: The Eurasian blackbird

Posted
Author
Missy Dunaway

In A Midsummer Night’s Dream, Bottom sings a tune about blackbirds to keep up his courage when he finds himself in strange circumstances.

Birds of Shakespeare: The cuckoo
cuckoo
Shakespeare and Beyond

Birds of Shakespeare: The cuckoo

Posted
Author
Missy Dunaway

Thanks to its peculiar reproductive cycle, distant migration, and haunting melodies, the cuckoo may hold the title for most folklore among Shakespeare’s birds.

Birds of Shakespeare: The barnacle goose
Barnacle Goose
Shakespeare and Beyond

Birds of Shakespeare: The barnacle goose

Posted
Author
Missy Dunaway

The barnacle goose, referenced in Shakespeare’s “The Tempest,” was an unmistakable symbol of metamorphosis for a 17th-century audience. It was commonly believed that the barnacle goose evolved from driftwood. Artist Missy Dunaway shares her painting of this fascinating bird along…

Quiz: The animals in Shakespeare's plays
Shakespeare and Beyond

Quiz: The animals in Shakespeare's plays

Posted
Author
Shakespeare & Beyond

Take our quiz on the amazing variety of animals in Shakespeare’s plays, from a mix of dogs and horses to song birds, ferocious wild animals, and much more.

Of the flattering, pampered, reviled, predatory, “harmless, necessary” early modern cat
Shakespeare and Beyond

Of the flattering, pampered, reviled, predatory, “harmless, necessary” early modern cat

Posted
Author
Haylie Swenson

Cats were considered pests, carriers of disease, and indicators of witchcraft, but also objects of affection and partners in play.

The political insect: Bees as an early modern metaphor for human hierarchy
Shakespeare and Beyond

The political insect: Bees as an early modern metaphor for human hierarchy

Posted
Author
Haylie Swenson

Shakespeare and his contemporaries were fascinated with bees as metaphors for human behavior, especially when it came to politics and government.

Owls in the early modern imagination: Ominous omens and pitiable sages
Screech owl
Shakespeare and Beyond

Owls in the early modern imagination: Ominous omens and pitiable sages

Posted
Author
Haylie Swenson

Conrad Gessner. Icones animalium quadrupedum. 1560. Folger Shakespeare Library. Owls were bad omens for Shakespeare and his contemporaries. The general of the French forces, facing an English emissary in Henry VI, Part 1, calls him “Thou ominous and fearful owl…

Hares, conies, and rabbits: The hunted and the melancholy
picture of a cony
Shakespeare and Beyond

Hares, conies, and rabbits: The hunted and the melancholy

Posted
Author
Haylie Swenson

Edward Topsell. The historie of foure-footed beastes. 1607. Folger Shakespeare Library. STC 24123 Copy 2. When, in Henry IV, Part II, Bardolph calls his page a “whoreson upright rabbit,” he’s not exactly thinking of the animal we now know as…

1 2