Folger Finds

Lewis Carroll gave this lovely 1868 edition of “A Midsummer Night’s Dream,” with delicate cut-paper images by Paul Konewka, to his illustrator for “Alice’s Adventures in Wonderland,” John Tenniel.

Take a look at our five most popular #FolgerFinds posts on Instagram, from early modern eclipses to the first edition of Shakespeare’s “Richard III.”

Transparencies, popular in the late 1700s, use back-lighting to reveal a secret image. See one from the Folger collection that reveals Shakespeare’s ghost in Westminster Abbey.

Famous Shakespearean actress Ellen Terry (1847-1928) took the liberty of correcting certain biographical errors in a book about her friend Henry Irving.

Promptbooks let us peer into the minds of some of history’s greatest theater-makers and see how they imagined Shakespeare’s plays.

It’s #MuseumWeek, and the Folger is sharing recipes from Shakespeare’s time, stories of swords and duels, and a little bit of tennis.

See playbills from the Folger collection of amateur (and fundraising) performances by Charles Dickens, from Wilkie Collins to Shakespeare.

Some of the most engrossing illustrations of Shakespeare’s rarely performed tragedy come from Wyndham Lewis, an early 20th-century artist who, like Timon, was a misanthrope.

The pages of this 1930 edition of Shakespeare’s Hamlet look insect-eaten or worse, but they’re actually made out of sheets of cork, not paper.

In honor of Earth Day, here’s a prominent early modern treatise against air pollution in London from the Folger collection: “Fumifugium,” published in 1661.

Known for his complex imaginary contraptions, W. Heath Robinson also produced exquisite illustrations for editions of Shakespeare’s works.

Henry Altemus’ magnificently miniature copy of “The Children’s Shakespeare” by Edith Nesbit is the Folger’s smallest Shakespeare edition. The title page’s portrait of Shakespeare is only six millimeters long. Like the book’s text, it is not discernible to the naked…