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The Folger Spotlight

Resource Guide: ‘I, Tituba, Black Witch of Salem’

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On October 1, 2020, the Folger continues its Virtual Book Club with I, Tituba, Black Witch of Salem by Maryse Condé. To prepare for the discussion, we have pulled together a list of Folger resources related to witchcraft, medicine, and other themes of this award-winning novel.

LISTEN to episodes of the Shakespeare Unlimited podcast

LEARN about early modern attitudes towards witchcraft and medicine

EXPLORE related pop-up exhibitions

READ some of Shakespeare’s plays featuring witches and magic

Words, Words, Words discusses I, Tituba, Black Witch of Salem on Thursday, October 1. Registration for the November 5 session on Jacopo della Quercia’s License to Quill opens Tuesday, October 6. We hope you make a plan to join us!

Folger Theatre

Folger Theatre is the vibrant center piece of the Folger’s public programs. With a focus on Shakespeare, Folger Theatre produces plays reflecting the breadth of the library’s peerless collection. In this unique setting, with collaborations between artists and experts, Folger Theatre produces innovative stagings that have been commended as “breathtakingly original...strikingly contemporary” (The Washington Post). Led since 1991 by Artistic Producer Janet Alexander Griffin, Folger Theatre has received 135 nominations and 23 Helen Hayes Awards for excellence in acting, direction, design, and production. During the recent seasons Folger Theatre has received the Outstanding Resident Play Award for its productions of Measure for Measure in 2007, Hamlet in 2011 and The Taming of the Shrew in 2013. Other highlights from Folger Theatre’s producing history include these Helen Hayes Award recipients or nominees for outstanding production: Romeo and Juliet (2013), Orestes: A Tragic Romp (2010), Henry VIII (2010), Arcadia (2009), Macbeth (2008), The Two Gentlemen of Verona (2006), Melissa Arctic (2006), She Stoops to Conquer (2002), Shakespeare’s R & J (2001), Much Ado About Nothing (1998), and Romeo and Juliet (1997). — View all posts by Folger Theatre