A guest post by Alexander D’Agostino I am an artist working with queer histories and images, through performance and visual art. During my Artist Research Fellowship with the Folger, I am creating The Fairy King’s Grimoire: a reimagining of the…
Conventional wisdom sets up two distinct experiences of Shakespeare’s plays: readers encountering a text, and audiences encountering a performance. The Folger recently acquired a 1995 version of The Tempest by London book artist Sue Doggett that complicates the distinction. Readers…
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