Extra-Illustrating Othello
a guest post by Patricia Akhimie On my last visit to the Folger Shakespeare Library in Fall 2019 (a time that seems all too distant now) to conduct research for a new edition of Othello, I set myself the goal…
Romeo and...
Thanks for our many eagle-eyed readers and your attention to this month’s Crocodile Post. As several folks guessed, this is a French parody of Romeo and Juliet called Roméo et Paquette, published in 1773. This item is a new acquisition, purchased in…
Paper Trades
Thank you for your insightful comments on our Crocodile Mystery, which I enjoyed reading as usual. My heartfelt thanks also to Andrew Hare, Supervisory East Asian Painting Conservator, Freer Gallery of Art and Arthur M. Sackler Gallery, the Smithsonian’s National…
The Production of Whiteness in the Anglo-French Match (1625)
A guest post by Mira Assaf Kafantaris Meghan Markle’s incorporation into the British monarchy, and her subsequent departure from it, has thrown into high relief the ideologies of whiteness at the heart of royal European traditions. Even though the symbolism…
An Experiment in Following a Worm Through a Folded Letter
A guest post by William Davis Folger staff have long been interested in folding early modern letters for mailing. It comes up periodically when someone finds a letter with unusual folds. Both Heather Wolfe and Erin Blake have written Collation…
The Pirates of H.M.S. Pinafore
The mystery man in the Crocodile Mystery image is the Englishman W.S. (William Schwenck) Gilbert, the librettist and playwright, in costume as King Claudius. Gilbert, along with composer Arthur Seymour Sullivan, created during the 19th century some of the most…
A Conservation Intern’s Observations on STC 2608
A guest post by Kevin Cilurzo (with particular thanks to Adrienne Bell) For a conservator, to disbind and rebind a book is a rare chance to study and understand its binding structure. With broken sewing and loose detached leaves, Folger…
Reading Anatomy Texts Like Poetry (and why we should do it more often)
A guest post by Whitney Sperrazza Thomas Bartholin, Bartholinus anatomy (London, 1668), page 76. Folger B977, image from Luna. When we look at this page from Thomas Bartholin’s 1668 anatomy text (Folger B977), it’s easy to think of it as…
Decoding Early Modern Gossip
A guest post by Alicia Petersen What comes to mind when you think of a coded letter? Political intrigue? Espionage? As the Folger Shakespeare Library’s 2014-5 exhibition Decoding the Renaissance: 500 Years of Codes and Ciphers highlighted, these guesses are…
Expurgation with decoration: type ornaments as replacement text
Thanks for the great comments on last week’s Crocodile Mystery. Everyone scores ten points, with full marks going to the two commenters who correctly identified the publication.Plus a happy-face sticker on Philip’s comment for the tongue-in-cheek description of the apparent…
New Acquisition: Photographs of an early 20th-century production of Hamlet in Japan
Welcome to a new regular series here on The Collation! Curatorial staff will be writing short pieces focusing on new acquisitions, hopefully giving our readers a glimpse into how we’re building our collections. Today, I’m excited to share a small…
Malicious teaseling: or how a simple reference question got complicated
We had seven excellent answers to the Crocodile, which included an image titled “Malice,” but not the text below it. The general consensus was that the cowering man was winding thread or wool off of a drop spindle. One of…