Battling over 18th-century rights to Shakespeare
In working on the Shakespeare Collection NEH grant-funded project for the past year, I have learned more than I ever imagined possible regarding the history of eighteenth-century publishing, particularly the “Shakespeare copyrights” and ownership disputes between booksellers. The feud between…
Copperplate illustrations and the question of quality
While looking at early modern book illustration in the undergraduate seminar on Friday, we got to talking about the false assumption that copperplate illustrations always indicate better-quality publications, while woodcuts are inherently lowly. True, the raw material is more expensive:…
Cataloging and preserving the Shakespeare collection
Cataloging and Preserving the Shakespeare Collection is a three-year project at the Folger Shakespeare Library funded by a grant from the National Endowment for the Humanities (NEH). Catalogers are working to create and upgrade definitive records for the Folger’s more…
Guyot's speciman sheet
If you’re a type designer (or a type caster, to be more appropriate to the early modern period), how do you show people examples of your wares? You use a specimen sheet: On this sheet, we see a matched set…
From printing house to coffee house
Last Friday a much-anticipated package arrived at the Folger, containing a series of fifteen deeds describing the successive ownership of two adjacent properties on Fleet Street (“The King’s Highway”) in London from 1543 to 1735. Deeds can be tedious to…
Sue Doggett's The Tempest, a unique artists' book
Conventional wisdom sets up two distinct experiences of Shakespeare’s plays: readers encountering a text, and audiences encountering a performance. The Folger recently acquired a 1995 version of The Tempest by London book artist Sue Doggett that complicates the distinction. Readers…
Browsing the #wunderkammer
One of the great things about running the @FolgerResearch twitter account is pulling together the Wednesday Wunderkammer from the Folger Digital Image Collection. It’s a chance for me to explore what’s in the constantly growing collection, making new discoveries and…
Much Ado about Eighty-Two
Seventy-nine. In the same year the Folger Shakespeare Library turns seventy-nine years old, it updates a number that since the founding of the library has helped define the strength of its collection. It’s the number that was found on all…
Welcome to The Collation
For many people, the copier is probably the first place they first encounter the idea of collating. Do you want the copier to collate your 50 copies of that 3-page document? Or do you want to turn your 3 piles…