Marginalizing heralds and antiquaries
The sixteenth and seventeenth centuries were a period of major transition for English heralds, as the number of arms being granted increased exponentially, requiring improved methods of record-keeping. Their job was both ceremonial (ordering and keeping score at tournaments, ordering…
The books on our shelf
Headers on blogs are sometimes just pretty pictures, just as sometimes books sitting on a shelf are just books sitting there. In this case, however, the books sitting on the shelf in our header image are not only pretty, but…
Watermarks & hidden collections
Hidden collections—that is, collections that are undescribed or underdescribed—are exceedingly common in libraries and archives. Until recently, the manuscript and printed paper that make up the E. Williams watermark collection, including papers of the Hale family of King’s Walden and…
A ghost for Halloween
I’d like to say that I cleverly scheduled the installation of Benjamin Wilson’s William Powell as Hamlet encountering the Ghost for last Friday so that the Founders’ Room would have a ghost in time for Halloween. Unfortunately, there were witnesses…
Reading the romantics
What do Folger staff read in their spare time? Not necessarily Shakespeare! I’ve recently finished a wonderful book by Daisy Hay called The Young Romantics, published in the spring of 2010 and now available in hardback, paperback, or on a…
Interrogating a hermit
Three months ago the Folger was lucky enough to acquire a letter from Thomas Cromwell to George Talbot, earl of Shrewsbury. I say lucky because while roughly 350 letters from Cromwell survive, almost all of them are at either the…
Battling over 18th-century rights to Shakespeare
In working on the Shakespeare Collection NEH grant-funded project for the past year, I have learned more than I ever imagined possible regarding the history of eighteenth-century publishing, particularly the “Shakespeare copyrights” and ownership disputes between booksellers. The feud between…
Copperplate illustrations and the question of quality
While looking at early modern book illustration in the undergraduate seminar on Friday, we got to talking about the false assumption that copperplate illustrations always indicate better-quality publications, while woodcuts are inherently lowly. True, the raw material is more expensive:…
Cataloging and preserving the Shakespeare collection
Cataloging and Preserving the Shakespeare Collection is a three-year project at the Folger Shakespeare Library funded by a grant from the National Endowment for the Humanities (NEH). Catalogers are working to create and upgrade definitive records for the Folger’s more…
Guyot's speciman sheet
If you’re a type designer (or a type caster, to be more appropriate to the early modern period), how do you show people examples of your wares? You use a specimen sheet: On this sheet, we see a matched set…
From printing house to coffee house
Last Friday a much-anticipated package arrived at the Folger, containing a series of fifteen deeds describing the successive ownership of two adjacent properties on Fleet Street (“The King’s Highway”) in London from 1543 to 1735. Deeds can be tedious to…
Sue Doggett's The Tempest, a unique artists' book
Conventional wisdom sets up two distinct experiences of Shakespeare’s plays: readers encountering a text, and audiences encountering a performance. The Folger recently acquired a 1995 version of The Tempest by London book artist Sue Doggett that complicates the distinction. Readers…