Folger Collections

Here on The Collation, it’s been a busy 2013. Today’s post will be our 68th of the year, and as of December 15th, we’d racked up 46,012 visits from 33,411 unique visitors, producing 67,361 pageviews this year. *phew* It’s gratifying that we…

For more than a year now I have been working with volunteers on the Flemish holdings in the Folger. I reported on this project at the annual international conference of Sixteenth Century Society and Conference in San Juan, Puerto Rico,…

December crocodile As our two commenters on the last post sussed out, this month’s crocodile mystery is a detail from an almanac, the black “Swallow” overprinting the red “Dove” the names of authors of two different almanacs. Below is the full…

There’s a persistent rumor that “Mr. Folger never paid more than x for a painting.” The value of x depends on who’s telling the story, but it’s generally around $2,000 and is used as evidence that he wasn’t interested in paintings.…

The Folger is thrilled to share the news that we are the recipient of a generous three year National Leadership Grant from the Institute of Museum and Library Services (IMLS) to create Early Modern Manuscripts Online (EMMO), an online searchable…

title page for Fertel, La science pratique de l’imprimerie In 1723, a Frenchman named Martin-Dominque Fertel published a book on printing, La science pratique de l’imprimerie. It’s good to look at early printing manuals, especially when one is trying to…

A guest post by Daniel Starza Smith The Folger’s unique collection of manuscript letters by John Donne (1572-1631) is rightly recognized as being of international importance. Donne is regarded as one of the foremost intellectual figures of early modern England,…

Just like “Fernweh”—the opposite of “Heimweh” or one’s longing for distant countries—the German word “Fingerspitzengefühl” is almost impossible to translate. Literally it refers to the sensitivity of one’s fingertips and it expresses an accurate knowledge or a delicate feeling that…

Have a look at the coat of arms worn by Edwin Booth (1833–1893) in the title role of Shakespeare’s King Richard III. Notice something wrong? Richard III tunic worn by Edwin Booth in the 1870s. Hint: The conventions Victorian aesthetics…

“For a cancer in the brest” The large penstrokes of this title caught my eye as I was cataloging a recently acquired receipt book (a book of culinary and medicinal recipes). In honor of National Breast Cancer Awareness Month, we…

Here Is a Play Fitted is on view through January 12, 2013 The Folger’s current exhibition, Here Is a Play Fitted, takes a broad look at how Shakespeare on the stage has changed over the past 400 years. For a…

A guest post by Dawn Rogala Editor’s note: Folger conservators are internationally known for their expertise in book and paper conservation. When it comes to conserving paintings, though, we turn to outside experts like Dawn Rogala of Page Conservation, Inc. Here,…