Folger files; or, a fetch-quest come to life
“MS. corrections to the text, by the author (Folger files).” Such an innocuous note in the Folger copy note field of the record for our second copy of Philip Massinger’s The Bond-man (STC 17632). Meaghan Brown, the Folger’s CLIR Fellow,…
Keeping your Jesus and Judas straight
Co-written by Sarah Werner and Mitch Fraas One might think that when printing the New Testament, one would want to avoid at all costs mixing up Jesus and Judas. However, this month’s crocodile shows that such mistakes did happen: the typo…
Q & A: Caroline Duroselle-Melish, Curator of Early Modern Books and Prints
In January, Caroline Duroselle-Melish joined the Folger as the new Andrew W. Mellon Curator of Early Modern Books and Prints, a position that gives her responsibility over books and prints through 1800. She has worked with a wide range of collections…
Taming a tight binding
You know how some old bindings gently let a book stay open on its own, at a comfortable angle? And how other old bindings seem to willfully resist, taunting you by starting to close just as you get the book weights perfectly arranged? This post introduces a simple tool that…
"I see it feelingly": a raised-type King Lear
For many of the books in our collection, an unassuming cover can turn out to protect a fascinating text block. What makes this one unusual is the discovery, upon opening the cover, that this book is meant to be read not with the…
Pi(e) day, represented
March 14th is Pi(e) Day, and this year we get an extra two digits (this year’s date being, in the American style, 3/14/15, taking us through the first 5 digits of pi). While many people (including our culinarily-inclined staff here…
Early modern eyebrow interpretation, or what it means to have a unibrow
While showing the Researching the Archive seminar some examples of manuscript receipt books a couple of weeks ago (randomly selected after doing a quick “form/genre” in Hamnet on the genre terms “Medical formularies” and “Cookbooks”), I was tickled to come across a section…
"This Play I Red" and other marginal notes on reading
A guest post by Claire M. L. Bourne As a long-term fellow at the Folger Shakespeare Library this year, I have been surveying all the English playbooks in the collection—from 1500 to 1709—in order to understand changing conventions of dramatic…
EMMO: advancing and expanding
During the last few months, the Early Modern Manuscripts Online (EMMO) project has been gathering strength and reaching farther both inside the Folger Shakespeare Library and outside to individuals and organizations. These actions have translated into the passing of several…
Research round-up: February 2015
The theme of this month’s post, which features two questions regarding 19th-century sources, is “We have materials beyond the early modern period!” As our collection development policy states, in addition to seeking primary source material on English and continental civilization…
Unwanted doodles in a Shakespeare quarto
Our new curator of early modern books and prints, Caroline Duroselle-Melish, and I were up in the conservation lab a few days ago, consulting with book conservator Adrienne Bell on the optimal opening for safely digitizing a quarto edition of…
Another peek into the Conservation Lab
This month, the Conservation Lab is working on items that reflect a wide range of Folger activities and holdings. Some of the most beautiful books in the Folger’s collections are those with embroidered bindings. But such books are also among the…