"To benefit the suffering Belgians"
As several readers quickly guessed, last week’s crocodile image was a photograph of a Russian edition of Shakespeare’s sonnets. The “ghost” type in the image is due to a glassine (translucent paper) jacket around the volume, which obscures the printed…
Uncut, unopened, untrimmed, uh-oh
Do you despair when when you hear “decimate” used to describe a reduction of more than ten percent? Does seeing the caption “Big Ben” on a souvenir postcard showing a London clock tower rather than the largest bell within it make you cringe? If so, heed this warning: never use the phrase…
Honing transcriptions with algorithms and acumen
A question I often hear from paleographers who contribute transcriptions to Early Modern Manuscripts Online (or EMMO) is: What are you going to do with all these transcriptions? It’s a good question—central to the whole project, actually—but it’s also a complicated one. The…
Don Quixote on an Early Paper Cover
The Folger Shakespeare Library recently acquired a copybook with an intriguing pictorial paper cover, and it is, of course, the subject of the crocodile mystery we posted last week. This cover is made of thick paper (thicker than regular paper…
Shakespeare the player: a new discovery sheds light on two Folger manuscripts
The reference to a coat of arms belonging to “Shakespeare the Player by Garter” in a manuscript at the Folger, V.a.350, has garnered much attention over the years. Folger MS V.a.350 is currently on loan to the British Library for their exhibition Shakespeare…
The Earliest Recorded Shakespeare in America?
We know that a number of the founding fathers (and mothers) in 18th-century America knew their Shakespeare. John and Abigail Adams frequently quoted from Shakespeare in their letters; Thomas Jefferson recommended reading Shakespeare in a course of private study; and…
An unfinished gold-tooled binding
July’s Crocodile mystery asked: why is this binding interesting? There are any number of answers, but the one I had in mind was: it’s unfinished. Last week’s picture shows the front cover of Folger call number STC 13051.3, the 1630 edition of A helpe…
Music Manuscripts
Recently, I have found myself answering a number of reference questions concerning our musical holdings (a reference librarian manifestation of the frequency illusion perhaps?). Whatever the reason, it has been a nice reminder that some of our manuscript holdings contain…
Investigating a Bull's Head Watermark
What would draw an eighteenth-century reader to an early sixteenth-century book, written in Latin, on venereal disease? The Folger Shakespeare Library’s copy of Ulrich von Hutten’s book De Guaici medicina et morbo gallico liber unus printed in 1531 by Johann…
A Pictorial Table of Contents
Last week’s Crocodile was a jumble of household instruments with numbers next to them. As our first commenter, Katie Will, correctly guessed, the detail was from the table of contents of a type of heraldic manuscript known as an Ordinary.…
Signature statements in book cataloging
Today’s post returns to the cliffhanger at the end of Tuesday’s Physical description in book cataloging overview: if , CXXII leaves : ill. ; 31 cm (fol.) forms a complete physical description in a library catalog, then what’s up with a4 A-O8 P10 and where does it fit…
Physical description in book cataloging
Does a4 A-O8 P10 make perfect sense to you? If so, please read on anyway. This isn’t a post on how to decode a collational formula. It’s a post about what to expect (and what not to expect) in the “physical description”…