To bind: Ligatures in Aldine Type
Yes, indeed. As many of you quickly identified, each of the images in this month’s mystery post contain at least one ligature. In fact, all of the images are from a single set of type: the Aldine italic that was…
The Location of Plates in a Book
When consulting a book with plates (that is, inserted leaves printed separately from the text), it is best not to assume that they have been placed in the same location in all copies of the same edition nor that their…
The evolution of collection practices: a case study
A guest post by Lauren Liebe There is nothing quite as exciting in archival research as stumbling upon an unexpected connection between two objects. When I called up L852 copy 3 and D2292, I had not realized that they shared…
Uncancelling the cancelled: recovering obliterated owners of old books
Last week’s Crocodile showed a detail of a cancelled name on the title page of Folger STC 17132. Title page of Folger STC 17132 with Humphrey Dyson’s name deleted. Despite the parallel hatching that was used to conceal it, two…
What is the scope of the STC?
John Lancaster’s guess for March’s crocodile post is correct: This catechism, printed in Basel by Andreas Gesner, has an STC number because it follows the use of Salisbury; it therefore belongs to the group of books not in English printed…
What is an Aesopian fable in the Renaissance? The case of the Renaissance Catwoman
A guest post by Liza Blake What is an Aesopian fable in the Renaissance? This post is about where our modern Aesopian fables come from, drawing on the Folger Shakespeare Library’s incredibly rich collections of animal fables. For more detail…
De Acupunctura: Willem ten Rhijne and Bringing Eastern Medicine to Europe
I am continually in awe of the depth and breadth of knowledge that our readers possess. Y’all are truly excellent. Yes, the answer to the Crocodile Mystery is, as several people answered, a chart of the acupuncture points on the…
Hexed
This month’s crocodile post asked our readers to think about some interesting designs appearing in and on our books. The first, appearing on the covers of Folger STC 11011 copy 2, are two slightly different designs with a central shape…
The mystery of the Shakespearian cartoons
I first encountered this book three years ago, in 2015. Intrigued by its sparse catalog record, which at that point consisted of a cataloger-supplied title (“”), an estimated page count, and little more, I went down to the vault to…
About that frontispiece portrait of Hannah Woolley....
I was delighted by the range of responses we got for last week’s Crocodile post on the identity of the woman in the engraving: Catherine of Braganza, Cleopatra, Lady Frances Egerton, Elizabeth Nash nee Hall (Shakespeare’s grand-daughter), Hannah Woolley, and…
Under Cover: Forged Bindings on Display at the Folger
Our latest exhibition, Form and Function: the Genius of the Book, provides visitors with a true visual feast. Offering a wide array of different types of bindings from the Folger collections, exhibition attendees will learn about the techniques and materials historically…
Written in the Margent: Frances Wolfreston Revealed
A guest post by Sarah Lindenbaum “And what obscured in this fair volume lies / Find written in the margent of his eyes” (Romeo and Juliet, 1.3.87–88) Recently, two Shakespeare quartos held by the Folger Shakespeare Library were determined to…