“You can’t always get what you want.” So said the Rolling Stones in 1969. Such was the case for the Folger Shakespeare Library in our recent request to borrow the Diary of John Wilkes Booth for our current exhibition America’s Shakespeare, which runs through July 24, 2016.
Ford’s Theater keeps the diary on permanent display alongside other artifacts from the assassination. Within its pages, Booth ruminates on his slaying of President Abraham Lincoln and laments his own plight as an injured and hunted fugitive, loathed by his countrymen. The assassination of Lincoln occurred on April 14, 1865, and the document captures Booth’s final recorded thoughts, penned during his 12 days on the run before he was tracked down and killed by Union soldiers on April 26.
Though the diary, which is owned by the National Park Service, is not available for loan, Folger conservators were graciously invited to Ford’s Theater for an early-morning peek at the artifact with Laura Anderson, Museum Curator for the National Mall and Memorial Parks. We photographed and measured the binding, taking notes in order to build our own copy of the diary.
Our replica began with a high-resolution image of the diary printed to the scale of the original. The image shows the diary open to a printed title page and the red leather interior of a wrapper that covers the textblock. Our goal was to transform the flat print to a three dimensional replica suitable for display.
First we prepared a mock-up of the textblock and trimmed it to the size of the original diary. Images of the title page and the adjacent leaf were cut out and pasted atop the mock-up. The edges were colored to simulate the accumulated grime on the original pocket journal.
The next step was to build a structural replica of the leather wrapper resting in the open position. For this, we used a thin card trimmed to the contour of the cover in our image. Heavier boards were used to build up thicker areas of the binding, and the structure was then wrapped in a heavy maroon paper, which roughly matched the color of the leather wrapper. Our image of the diary’s interior was pasted atop the structural replica.
After overpainting a few areas with watercolors, the textblock was placed on the wrapper and the replica was ready for display!
Come see America’s Shakespeare April 7 through July 24 at the Folger Shakespeare Library OR November 10 through February 26, 2017 at Los Angeles Public Library.
Thanks to Curator, Laura Anderson, Museum Curator for the National Mall and Memorial Parks, for allowing access to the original diary. Thanks to Julie Ainsworth, Head of Photography and Digital Imaging at the Folger, for scaling and printing images for the facsimile.
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Comments
As props master for “The Assassins” the attempt is going to be made to replicate John Wilkes Booth diary. Would you please share the dimensions of the diary. Thank you.
Darby D. Gwisdala — August 22, 2016
Hi Darby,
The way the book is displayed, it is 160mm x 240mm and 15mm thick. It does not actually close the way it looks like it would, but I’d guess it be about 160mm x 80mm and 20mm thick closed.
Good luck building your own!
Austin Plann Curley — August 22, 2016
Thank you so much for your prompt response. The information is deeply appreciated. The performances of “The Assassins” is not until May 2017 so I have time to create as close a facsimile as possible on a almost non-existent budget. The rental of the guns is actually more than the budget! This information is very helpful. Again, thank you!
Darby Gwisdala — August 23, 2016
Greetings! I have another question about the diary. John Wilkes Booth’s diary is not like most Civil War diaries. The case appears to have been much more extravagant. Most diaries, when closed, had a tab that inserted into a strip on the front of the journal. Booth’s closure, however, was not like that. Do you know how what type of closure the journal had? When looking at a movie prop journal, that is quite exquisite, it appears a magnetic closure may have been used. I see no slit on the front of the journal and the tab is small, like the original. Thank you for your assistance. Authentic props for a performance sometimes take more time than anticipated!
Darby Gwisdala — August 30, 2016
1,) Peanut John was called by Spangler and told to hold Booth’s horse(both in old capitol prison )2,)Mary Surratt Son John Surratt didn’t pay the sentence his mother paid He got off scott free & it was because of Him that his mother got trouble /He ran off left her to hold the bag?3.)John Matthews -Actor -work Ford theatre-American CousinHim and Harry Hawk saw JWB walk thru lobby towards Lincoln’s box -AND – Matthews saw JWB 4-14-1865 on Road which talked &JWB gave him letter to deliver(early afternoon the same day)?4.)John M FLOYD work Surrattville Tavern(work for mary Surratt)Alcoholic that claim he had trouble remenbering because Whiskey?5.)Louis Weichmann(TurnStatesEvidence-immunity-work wardept/pal John Surratt/Hungout JWB)bingham/Holt help him get govt jobs(deal)Louis said He & Surratt friends /intimate slept same bed?6.)SamuelMudd&Samuel Cox -FranklinRobey&Thomas Jones&oswald Swann &Harbor abet help JWB pinethicket& elsewhere?(jStHelen said name RuddyorRobey?)Wasn’t 18pgs missing&Laf Baker claim none missing when he gave to stanton&did Stanton descendents find some of them?
jake — November 8, 2024