The Collation
Research and Exploration at the Folger

The Collation is a gathering of useful information and observations from Folger staff and researchers. Read more about this blog
John Bell, bibliographic nightmare
Some books are more challenging than others; some bibliographic questions are more complicated than others. This is the first of two posts that looks at a particularly challenging cataloging question. Today’s post will set up the challenge; the next one…
Folger Tooltips: new cover-to-cover items in our Digital Image Database
Additions to our Cover-to-cover series have made their way into the Digital Image Database in recent weeks. Among items you can now view in their entirety online are: Our first fully-digitized Second Folio. Shakespeare, William, 1564-1616. Mr. VVilliam Shakespeares…
Thomas Shelton's shorthand version of the Lord's Prayer
Commenters to last week’s post, Heirloom apples and pears, anyone?, correctly identified the shorthand text found in Henry Oxinden’s miscellany (Folger MS V.b.110) as the Lord’s Prayer written out according to Thomas Shelton’s method of shorthand, called tachygraphy. Below is…
Colored print or color print?
Consider the following physical description in Hamnet, the Folger’s online catalog (it’s for an edition of Anna Jameson’s Characteristics of women, also published as Shakespeare’s heroines): xl, 340 p., leaves of plates : col. ill. ; 28 cm. The first…
Heirloom apples and pears, anyone?
We’ll begin with another crocodile-style challenge in this post, from a manuscript miscellany compiled by Henry Oxinden (or Oxenden) (1609-1670) of Barham, Kent, Folger MS V.b.110. Here’s a detail from p. of the miscellany: Can anyone identify what this text…
A book's fingerprints
Last week’s crocodile mystery may have been a bit too mysterious, but I hope that today’s post will inspire you to look for similar mysteries on your own. Here’s a close-up detail of what I was asking about: As with…
"What manner o' thing is your crocodile?": May edition
First, my thanks to all of you who suggested new names for this series on identifying objects in our collection. The best suggestion came from Jeremy Dibbell, on twitter, who found this perfect moment in Antony and Cleopatra: LEPIDUS: What…
Folger Tooltips: updates on links to early Shakespeare editions
Hello dear readers: Past tooltip posts have highlighted various efforts at digital outreach to academics, e.g., via links to our Digital image database from Hamnet, or from finding aids. But fulfilling the mission of the Folger requires more than that—among…
News of St. Bartholomew's Day, 1572
When the Swann Auction Gallery catalog for the March 15 sale crossed my desk, I flipped through as usual, looking for things that might fit the Folger’s collection development policy. I wasn’t paying too much attention, since it was primarily…
Dye to live, live to dye
The Folger has recently acquired some interesting hybrid books; that is, books which consist of a mixture of thematically-connected printed, manuscript, and graphic material gathered from a variety of sources into a single binding. Sidney scholar and Folger reader Margaret…
Rehousing our tinsel print collection
Tinsel prints are a unique English art form from the early and mid-19th century. They are typically composed of metal foils, fabric scraps, leather, feathers, and any other suitable material glued onto printed portraits of actors and actresses. Theatrical tinsel…
From Stage to E-page: Theater Archives at the Folger Library
The Folger Shakespeare Library in Washington, DC opened in 1932. It is representative of a private institution whose collections were very much shaped by the interest of its founders, Henry and Emily Folger. Fortunately for theater historians, the Folgers were…