The Collation
Research and Exploration at the Folger
The Collation is a gathering of useful information and observations from Folger staff and researchers. Read more about this blog
Hidden notes, "bibliographic nightmares," and STC call numbers
Sometimes when keyword searching Hamnet, the results include mystery matches: when you Ctrl-V to find the word you’re looking for on the page, it’s not there. That’s because some fields only display on the “MARC view” tab. Usually the information isn’t worth…
Four states of Shakespeare: the Droeshout portrait
So the mysterious eye of this month’s crocodile belongs to no other than Shakespeare, as some readers immediately recognized: Droeshout’s engraving of Shakespeare on the title page of the First Folio More specifically, it is Shakespeare’s left right eye as depicted…
"What manner o' thing is your crocodile?": June 2014
For your June crocodile mystery, something to cast your eye over: I spy with my little eye, this crocodile mystery What is this, how many pertinent details can you point to, and why might it matter? Leave your guesses below and come…
Steady sellers
Recently, Jan van de Kamp, a scholar from the Netherlands, contacted me with the question of whether I knew a method to extract all religious steady sellers from the Short Title Catalogue, Netherlands (STCN). He would like to use that…
Making a Karibari board
In conservation, the drying or humidification of paper poses particular challenges when dimensional and visual characteristics of the original paper are to be retained. Because of this, the drying of an artifact is a key step in its treatment. There…
Timon of Athens: nine not-actually-lost drawings by Wyndham Lewis
In 1998, modernist art and literature scholar Paul Edwards wrote about “a set of watercolours and (apparently) ink drawings on the theme of Shakespeare’s Timon of Athens” by Wyndham Lewis that had been published as a portfolio in 1913. Paul Edwards, “Wyndham…
A digital adieu
The time has come for me to say farewell as my National Digital Stewardship Residency placement at the Folger Shakespeare Library comes to a close later this month. It has been a wonderful nine months working with born-digital assets here…
Click-clack and crocodile tears: an annotated Elizabethan dictionary
If dictionaries are still on your mind after reading in The Collation and elsewhere about the 1580 copy of John Baret’s Alvearie owned by George Koppelman and Dan Wechsler, then here’s another tri-lingual annotated dictionary to ponder: the intensively-annotated Folger copy of John…
Abbreviations and signatures
As Sjoerd Levelt guessed in the comments, this month’s crocodile image featured an abbreviation, rather than a letter, in the signature mark: sig. 22Here’s a longer look at what this character is and how it ended up being used in…
"What manner o' thing is your crocodile?": May 2014
Do you see what we see? Or do you see something else? More specifically, can you tell us what the characters are on the last line of this column of text? What manner of thing is this? (click to embiggen) Leave…
A peek into the Conservation Lab
Ever wonder what the conservators are up to on our third floor? Here’s a peek into what’s happening in the Werner Gundersheimer Conservation Laboratory this month: The team is in full treatment mode for the Library’s upcoming exhibition, “Symbols of Honor: Heraldry…
Continuing the celebration: Preserving birthday-related digital ephemera
Taking a break from birthday festivities in the Folger Cataloging Office. It’s official: the Bard doesn’t look a day over 425. 450 years have now passed since William Shakespeare’s birth and it’s clear he is just as relevant and as…